MARC Record from marc_columbia

LEADER: 03330mam a2200349 a 4500
001 2367164
005 20220616031535.0
008 981104t19991999ncua b 001 0 eng
010 $a 98050856
020 $a0822322811 (cloth : alk. paper)
020 $a0822323133 (pbk. : alk. paper)
035 $a(OCoLC)ocm40305676
035 $9APP9601CU
035 $a2367164
040 $aDLC$cDLC$dC#P$dOrLoB-B
043 $ae-ur-ru
050 00 $aDK510.762$b.C66 1999
082 00 $a947.086$221
245 00 $aConsuming Russia :$bpopular culture, sex, and society since Gorbachev /$cedited by Adele Marie Barker.
260 $aDurham [N.C.] :$bDuke University Press,$c[1999], ©1999.
300 $axiii, 473 pages :$billustrations ;$c25 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
504 $aIncludes bibliographical references and index.
505 00 $gPt. I.$tIntroduction.$g1.$tRereading Russia /$rAdele Marie Barker.$g2.$tThe Culture Factory: Theorizing the Popular in the Old and New Russia /$rAdele Marie Barker --$gPt. II.$tPopular Culture.$g3.$tPublic Offerings: MMM and the Marketing of Melodrama /$rEliot Borenstein.$g4.$tGagarin and the Rave Kids: Transforming Power, Identity, and Aesthetics in Post-Soviet Nightlife /$rAlexei Yurchak.$g5.$tBetween a Rock and a Hard Place: Holy Rus' and Its Alternatives in Russian Rock Music /$rJulia P. Friedman and Adam Weiner.$g6.$tPopular Children's Culture in Post-Perestroika Russia: Songs of Innocence and Experience Revisited /$rElizabeth Kristofovich Zelensky.$g7.$tMarkets, Mirrors, and Mayhem: Aleksandra Marinina and the Rise of the New Russian Detektiv /$rCatharine Theimer Nepomnyashchy.$g8.$tIn Search of an Audience: The New Russian Cinema of Reconciliation /$rSusan Larsen.$g9.$tThere Are no Rules on Planet Russia: Post-Soviet Spectator Sport /$rRobert Edelman.
505 80 $g10.$tSaying "Lenin" and Meaning "Party": Subversion and Laughter in Soviet and Post-Soviet Society /$rAnna Krylova.$g11.$tGoing to the Dogs: Pet Life in the New Russia /$rAdele Marie Barker --$gPt. III.$tSexualities.$g12.$tPublicly Queer: Representations of Queer Subjects and Subjectivities in the Absence of Identity /$rLaurie Essig.$g13.$tQueer Performance: "Male" Ballet /$rTim Scholl.$g14.$tPornography in Russia /$rPaul W. Goldschmidt --$gPt. IV.$tSociety and Social Artifacts.$g15.$tBody Graphics: Tattooing the Fall of Communism /$rNancy Condee.$g16.$tCommunism as Kitsch: Soviet Symbols in Post-Soviet Society /$rTheresa Sabonis-Chafee.$g17.$tFrom the Toilet to the Museum: Memory and Metamorphosis of Soviet Trash /$rSvetlana Boym.$g18.$tParanoid Graffiti at Execution Wall: Nationalist Interpretations of Russia's Travail /$rJohn Bushnell.$g19.$t"Christianity, Antisemitism, Nationalism": Russian Orthodoxy in a Reborn Orthodox Russia /$rJudith Deutsch Kornblatt.
505 80 $g20.$tSuspending Disbelief: "Cults" and Postmodernism in Post-Soviet Russia /$rEliot Borenstein.
651 0 $aRussia (Federation)$xCivilization.$0http://id.loc.gov/authorities/subjects/sh86002898
650 0 $aPopular culture$zRussia (Federation)$0http://id.loc.gov/authorities/subjects/sh2010107528
650 0 $aSex$zRussia (Federation)
700 1 $aBarker, Adele Marie,$d1946-$0http://id.loc.gov/authorities/names/n85811193
852 00 $bleh$hDK510.762$i.C66 1999