| Record ID | marc_columbia/Columbia-extract-20221130-005.mrc:493789568:1951 |
| Source | marc_columbia |
| Download Link | /show-records/marc_columbia/Columbia-extract-20221130-005.mrc:493789568:1951?format=raw |
LEADER: 01951fam a22003734a 4500
001 2384691
005 20220616034025.0
008 990309t19991999msua b 001 0 eng
010 $a 99024343
020 $a1578061458 (alk. paper)
020 $a1578061466 (pbk. : alk. paper)
035 $a(OCoLC)40964926
035 $a(OCoLC)ocm40964926
035 $9APS1279CU
035 $a(NNC)2384691
035 $a2384691
040 $aDLC$cDLC$dNNC$dOrLoB-B
042 $apcc
043 $an-us---$af------
050 00 $aML3521$b.K83 1999
082 00 $a781.643/096$221
100 1 $aKubik, Gerhard,$d1934-$0http://id.loc.gov/authorities/names/n83042647
245 10 $aAfrica and the blues /$cGerhard Kubik.
260 $aJackson :$bUniversity Press of Mississippi,$c[1999], ©1999.
300 $axviii, 240 pages :$billustrations ;$c24 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
504 $aIncludes bibliographical references and index.
505 00 $gPt. I.$tOut of Africa.$g1.$tSources, Adaptation and Innovation.$g2.$tThe Rise of a Sung Literary Genre.$g3.$tA Strange Absence.$g4.$tThe West Central Sudanic Belt.$g5.$tBlues Recordings Compared with Material from the Central Sudanic Savannah.$g6.$tSome Characteristics of the Blues.$g7.$tWhy Did a West Central Sudanic Style Cluster Prevail in the Blues?$g8.$tHeterophonic versus Homophonic Multi-Part Schemes.$g9.$tThe Blues Tonal System.$g10.$tThe "Flatted Fifth" --$gPt. II.$tReturn to Africa.$g11.$tThe 12-Bar Blues Form in South African kwela and its Reinterpretation.$g12.$tReturn to the Western Sudan.
650 0 $aBlues (Music)$xAfrican influences.$0http://id.loc.gov/authorities/subjects/sh99002098
650 0 $aBlack people$zAfrica$xMusic$xHistory and criticism.
650 0 $aMusic$zAfrica$xHistory and criticism.$0http://id.loc.gov/authorities/subjects/sh2008108090
852 00 $boff,mus$hML3521$i.K83 1999
852 00 $bmus$hML3521$i.K83 1999