| Record ID | marc_columbia/Columbia-extract-20221130-005.mrc:499726796:1586 |
| Source | marc_columbia |
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LEADER: 01586fam a2200313 a 4500
001 2388866
005 20220616034758.0
008 990922t20002000mdu b 000 0 eng
010 $a 99049086
020 $a0761815279 (pbk. : alk. paper)
035 $a(OCoLC)42580102
035 $a(OCoLC)ocm42580102
035 $9APS6733CU
035 $a(NNC)2388866
035 $a2388866
040 $aDLC$cDLC$dNNC$dOrLoB-B
050 00 $aNX170$b.W35 1999
082 00 $a700$221
100 1 $aWalters, Thomas.$0http://id.loc.gov/authorities/names/n88604122
245 14 $aThe arts :$ba comparative approach to the arts of painting, sculpture, architecture, music, and drama /$cThomas Walters.
260 $aLanham, MD :$bUniversity Press of America,$c[2000], ©2000.
263 $a9910
300 $a107 pages ;$c22 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
504 $aIncludes bibliographical references.
505 00 $tIntroduction: The Opposites: A Vehicle for Style Analysis --$gCh. 1.$tBalance and Measure: Ancient Greek Philosophy, Architecture, Sculpture and Drama --$gCh. 2.$tAmiens Cathedral: The Summa of French High Gothic Architecture --$gCh. 3.$tThe Italian Renaissance: The Rebirth of the Visual Language of Ordering Space --$gCh. 4.$tDynamics: Baroque Movement and Order --$gCh. 5.$tIngres and Delacroix: Nineteenth Century "Classical" Artists? --$gCh. 6.$tOrganic Architecture: Frank Lloyd Wright --$gCh. 7.$tModern Reductionism: Broadway Boogie Woogie and Hyperprism.
650 0 $aArts$xComparative method.
852 00 $bglx$hNX170$i.W35 1999