Record ID | marc_columbia/Columbia-extract-20221130-005.mrc:500907587:3712 |
Source | marc_columbia |
Download Link | /show-records/marc_columbia/Columbia-extract-20221130-005.mrc:500907587:3712?format=raw |
LEADER: 03712mam a2200349 a 4500
001 2389594
005 20220616034915.0
008 990812s2000 nyu 001 0 eng
010 $a 99043945
020 $a0415925479 (hb)
035 $a(OCoLC)ocm42295888
035 $9APS8094CU
035 $a2389594
040 $aDLC$cDLC$dC#P$dOrLoB-B
043 $ae-uk---$an-us---
050 00 $aPN2583$b.H45 2000
082 00 $a792/.0941$221
100 1 $aHeilpern, John.$0http://id.loc.gov/authorities/names/n77011611
245 10 $aHow good is David Mamet, anyway? :$bwritings on theatre--and why it matters /$cJohn Heilpern.
260 $aNew York :$bRoutledge,$c2000.
300 $axii, 299 pages ;$c24 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
500 $aIncludes index.
505 00 $tEmpire of the Stage --$tLunch with Gielgud and Richardson --$tNoel Coward at Seventy --$tTranquil in connecticut with Arthur Miller --$tEngland's Great Clown --$tHis Name Escapes Him --$tIn Memoriam Michael Bennett --$tPeter Brook, Barbra Streisand, and Me --$tAngels in America Parts 1 and 2 --$tJanet McTeer-Up-the-Stage --$tHurry Up Please It's Time --$tThe Great Gambon --$tMr. Brantley's Torsos --$tThe Ralph Fiennes Hamlet --$tWe Like It a Lot --$tThe Mayfair Medea --$tWho Was the Jew Shakespeare Knew? --$tAnything Goes with the Professor --$tArt Is Good for You --$tA Helluva Musical --$tIt's Big! It's Safe! It's Full of Generic Symbolism! --$tWhatever Happened to Class? --$tFarewell, Carousel --$tMy Blood Brother and Me --$tSleeping at the Theater --$tThe Killing of Wonderful Tennessee --$tHow to Murder Your Mother --$tBrave New World --$tSafe Pedophilia --$tThe Sad Tale of Jack the Cat --$tBrilliant Blues --$tHolocaust Denial --$tThe Amazing Vanessa Redgrave --$tThe Still Subversive Joe Orton --
505 80 $tTheater Thingie of the Year --$tSlumming with Sam Shepard --$tNo Tony for Julie --$tWhat Is the Sound of One Hand Acting? --$tCountry Matters --$tOscar Wilde's Brilliant Lunatics --$tA-Plotz for David Ives --$tNo. 1 Dance Hall Chicken Inna New York City --$tLost in Suburbia --$tVoltaire-Shmoltaire --$tThe Asterisk Problem: Shoing and Fucking --$tEt In Arcadia Ego --$tThe America Play --$tHow America Was Lost --$tThese Gentle Artists --$tThe Jerry Stiller Three Sisters --$tNeedles and Opium --$tThe Three Ages of Woman --$tThe God of Lies --$tMametspeak --$tHow Good is David Mamet, Anyway? --$tBeckettscape --$tRobert Brustein's Unfortunate Dance Lesson --$tEverything Is Beautiful --$tPimp Fop Flop --$tHakuna Matata! --$tDon't Shoot the Composer --$tA Great Electra --$tNicole Kidman, Live Naked Movie Star --$tJudi! Judi! Judi! --$tHarv the Marv --$tAmazing Grace --$tThe Anglophile New York Times --$tIceman Cometh --$tAct of Love --$tArthur Miller Comes Home.
520 1 $a"How Good is David Mamet, Anyway? is the best of John Heilpern's theater writings. There's a glittering cast list: Vanessa Redgrave and Ralph Fiennes, Helen Mirren and George C. Wolfe, Fiona Shaw and Savion Glover, Karen Finley and David Mamet, and dozens of others.
520 8 $aThere's also a major piece on the vital differences between the British and American theater scenes, profiles of such legends as Noel Coward, Gielgud and Richardson, and Alec Guinness, review-essays on the great, good, and awful plays of our time, as well as irreverent views of some of our most widely admired theater icons."--BOOK JACKET.
650 0 $aTheater$zGreat Britain.$0http://id.loc.gov/authorities/subjects/sh85134551
650 0 $aTheater$zUnited States.$0http://id.loc.gov/authorities/subjects/sh85134560
852 00 $bglx$hPN2583$i.H45 2000
852 00 $bbar$hPN2583$i.H45 2000