| Record ID | marc_columbia/Columbia-extract-20221130-005.mrc:564351598:1515 |
| Source | marc_columbia |
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LEADER: 01515cam a2200289 4500
001 2446540
005 20220616045419.0
008 750318s1934 enk 000 0 eng
010 $a 35007362
035 $a(OCoLC)ocm01222139
035 $9APZ4072CU
035 $a(NNC)2446540
035 $a2446540
040 $aDLC$cBNG$dSER$dZCU
050 00 $aPN1994$b.L27
082 0 $a791.4
099 $a809.22$aL17
100 1 $aLambert, R. S.$q(Richard Stanton),$d1894-1981,$eeditor.$4http://id.loc.gov/vocabulary/relators/edt$0http://id.loc.gov/authorities/names/n85064822
245 10 $aFor filmgoers only ;$bthe intelligent filmgoer's guide to the film /$cby Paul Rotha, Andrew Buchanan, Mary Field [and others] ... Edited by R.S. Lambert.
260 $aLondon :$bPub. for the British Institute of Adult Education by Faber and Faber, limited,$c[1934]
300 $a98 pages ;$c19 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
505 0 $aIntroduction, by R.S. Lambert.--The development of cinema, by Paul Rotha.--'Axes to grind': the film as propaganda, by Andrew Buchanan.--Can the film educate? By Mary Field.--Why we get the films we do, by R.S. Lambert.--'Eyes and no eyes': what to look for in films, by C.A. Lejeune.--A note on the British Film Institute, its objects and constitution.
650 0 $aMotion pictures.$0http://id.loc.gov/authorities/subjects/sh85088084
610 20 $aBritish Film Institute.$0http://id.loc.gov/authorities/names/n80075864
852 80 $bglx$h809.22 L17