MARC Record from marc_columbia

LEADER: 04377cam a2200565 a 4500
001 2452921
005 20220616050201.0
008 980511s1999 quca bk 001 0aeng
010 $a 00302238
016 $a989006212
019 $a39361270
020 $a1550651110
020 $a9781550651119
035 $a(OCoLC)ocm43945570
035 $a(OCoLC)43945570$z(OCoLC)39361270
035 $a(NNC)2452921
035 $a2452921
040 $aDLC$beng$cDLC$dNLC$dBAKER$dBTCTA$dYDXCP$dNIALS$dGEBAY$dUAB$dBDX$dOCLCF
043 $an-cn---
050 00 $aML417.B64$bA3 1999
055 02 $aML417*
082 00 $a786.2/165/092$221
082 14 $aB$221
100 1 $aBley, Paul.$0http://id.loc.gov/authorities/names/n82012139
245 10 $aStopping time :$bPaul Bley and the transformation of jazz /$cPaul Bley with David Lee.
260 $a[Montréal] :$bVéhicule Press,$c1999.
300 $a179 pages :$billustrations ;$c23 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
504 $aIncludes bibliographical references (p. 157-158), discography (p. 159-173), and index.
520 1 $a"Stopping Time is the story of Paul Bley's odyssey through the most turbulent years in modern jazz. A successful bebop musician throughout the 1950s, he honed his talent in the bands of Charlie Parker, Lester Young, Charles Mingus, and Sonny Rollins. Yet, it was in a Los Angeles nightclub that Paul Bley found his true direction when two young musicians named Ornette Coleman and Don Cherry sat in with his band. As soon as they started to play, Bley knew that this was the music he had been looking for. Returning to New York with his first wife, composer and arranger Carla Bley, he became a central figure in the 1960s jazz revolution. Using one of the very first Moog synthesizers, he explored, with Annette Peacock, the areas between jazz, popular song, and sheer electronic sound. In the 1970s Bley toured North America, Europe, and Japan playing solo piano and leading trios with musicians such as Gary Peacock, Paul Motian, Dave Holland, and Barry Altschul. In 1974, Paul Bley and his wife Carol Goss formed their own record label, Improvising Artists, and recorded Sam Rivers, Sun Ra, and a young unknown guitarist named Pat Metheny."--BOOK JACKET.
520 1 $a"Stopping Time is the story of Paul Bley's odyssey through the most turbulent years in modern jazz. A successful bebop musician throughout the 1950s, he honed his talent in the bands of Charlie Parker, Lester Young, Charles Mingus, and Sonny Rollins. Yet, it was in a Los Angeles nightclub that Paul Bley found his true direction when two young musicians named Ornette Coleman and Don Cherry sat in with his band. As soon as they started to play, Bley knew that this was the music he had been looking for.
520 8 $aReturning to New York with his first wife, composer and arranger Carla Bley, he became a central figure in the 1960s jazz revolution. Using one of the very first Moog synthesizers, he explored, with Annette Peacock, the areas between jazz, popular song, and sheer electronic sound. In the 1970s Bley toured North America, Europe, and Japan playing solo piano and leading trios with musicians such as Gary Peacock, Paul Motian, Dave Holland, and Barry Altschul.
520 8 $aIn 1974, Paul Bley and his wife Carol Goss formed their own record label, Improvising Artists, and recorded Sam Rivers, Sun Ra, and a young unknown guitarist named Pat Metheny."--BOOK JACKET.
600 10 $aBley, Paul.$0http://id.loc.gov/authorities/names/n82012139
650 0 $aJazz musicians$vBiography.$0http://id.loc.gov/authorities/subjects/sh2008106049
600 16 $aBley, Paul,$d1932-
650 6 $aMusiciens de jazz$zCanada$vBiographies.
600 17 $aBley, Paul.$2swd
650 07 $aAutobiographie.$2swd
650 07 $aJazz.$2swd
650 07 $aGeschichte 1945-1998.$2swd
650 07 $aErlebnisbericht.$2swd
651 7 $aKanada.$2swd
600 17 $aBley, Paul.$2fast$0(OCoLC)fst00086160
650 7 $aJazz musicians.$2fast$0(OCoLC)fst00982205
655 7 $aBiographies.$2fast$0(OCoLC)fst01423686
776 08 $iOnline version:$aBley, Paul.$tStopping time.$d[Montréal] : Véhicule Press, 1999$w(OCoLC)654950229
856 42 $3Publisher description$uhttp://catdir.loc.gov/catdir/enhancements/fy0702/00302238-d.html
852 00 $bmus$hML417.B647$iA3 1998g