MARC Record from marc_columbia

LEADER: 04218mam a2200385 a 4500
001 2476176
005 20220616052802.0
008 990715t19991999hiuab b s001 0 eng
010 $a 99039638
020 $a0824822838 (alk. paper)
035 $a(OCoLC)ocm41977211
035 $9AQC6736CU
035 $a2476176
040 $aDLC$cDLC$dC#P$dOrLoB-B
043 $apo-----
050 00 $aDU28$b.A78 1999
082 00 $a700/.995$221
245 00 $aArt and performance in Oceania /$cedited by Barry Craig, Bernie Kernot, Christopher Anderson.
260 $aHonolulu :$bUniversity of Hawaiʻi Press,$c[1999], ©1999.
300 $aviii, 318 pages :$billustrations, maps ;$c24 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
500 $aPapers presented at the 5th Pacific Arts Symposium held 1993, Sydney, Australia.
504 $aIncludes bibliographical references (p. 296-318).
505 00 $tPreface /$rChristopher Anderson --$tIntroduction /$rBarry Craig --$gPt. I.$tArt as performance in Micronesia and Polynesia /$rBernie Kernot.$g1.$tThe relationships between the evaluations of dance performance and the social system in Yap, Micronesia /$rJunko Konishi.$g2.$tClowning as political commentary: Polynesia - then and now /$rVilsoni Hereniko.$g3.$tFestivals, identity and performance: Tahiti and the 6th Pacific Arts Festival /$rKaren Stevensen.$g4.$tImaging the nation: The New Zealand International Exhibition 1906-07 and the Model Maori Pa /$rBernie Kernot.$g5.$tArt education in Samoa: Acculturated identity /$rRegina Meredith.$g6.$tFat is beautiful: The body as art form in the Pacific /$rNancy J. Pollock --$gPt. 2.$tBringing people back into the collections: Indigenous Australians and the presentation of culture /$rChristopher Anderson.$g7.$tArtists as performers: The Flinders University Aboriginal Artists-in-Residence program re-reviewed /$rJ. V. S. Megaw and M. Ruth Megaw.
505 80 $g8.$tSpeaking as the 'Other' /$rBrenda L. Croft.$g9.$tCommitted photography: Recording history /$rJuno Gemes.$g10.$tRacism and the state: Critical reflections on the organisation of heritage institutions in South Australia /$rDeane Fergie.$g11.$tEthnographic museums and indigenous peoples: A perspective from Western Australia /$rJohn E. Stanton.$g12.$tOld galleries, new people /$rChristopher Anderson --$gPt. 3.$tFrom performance to museum in Melanesia /$rBarry Craig.$g13.$tA festival to honour the dead and revitalise society: Masks and prestige in a Gamei community (Lower Ramu, Papua New Guinea) /$rDirk Smidt and Soroi Marepo Eoe.$g14.$tSulka masked ceremonies and exchange /$rChris Issac and Barry Craig.$g15.$tThe significance of the tantanua dance within the Verem malagan /$rNoah J. Lurang.$g16.$tTaxonomic structure and typology in the malagan ritual art tradition of Tabar, New Ireland /$rMichael Gunn.$g17.$tThe acoustic properties of the Fijian 'slit-gongs' /$rRod Ewins.
505 80 $g18.$tThe woodcarvings of Mutuaga, a 19th-century artist of the Massim district of Papua New Guinea /$rHarry Beran.$g19.$tWomen and the fibre arts of Papua New Guinea /$rWendi Choulai and Jacquelyn Lewis-Harris.$g20.$tTree-houses, representation and photography on the Papuan coast, 1880 to 1930 /$rMax Quanchi.$g21.$t'Our ethnographical troops in the field': Swedes and museum collecting in Melanesia circa 1900 /$rHelena Regius.$g22.$tArt of Astrolabe Bay: History of research, results and future research tasks /$rGabor Vargyas --$gPt. 4.$tPan-Pacific developments /$rBarry Craig.$g23.$tOut of the doldrums: Museums and cultural centres in Pacific Islands countries in the 1990s /$rSusan Cochrane.$g24.$tOf old models and new in Pacific art: Real or spurious? /$rPhilip J. C. Dark.
651 0 $aOceania$xSocial life and customs$vCongresses.
650 0 $aArt$zOceania$vCongresses.
650 0 $aPerforming arts$zOceania$vCongresses.
700 1 $aCraig, Barry.$0http://id.loc.gov/authorities/names/n87814388
700 1 $aKernot, B.$0http://id.loc.gov/authorities/names/n86836427
700 1 $aAnderson, Christopher,$cDr.$0http://id.loc.gov/authorities/names/n97053302
711 2 $aPacific Arts Symposium$n(5th :$d1993 :$cSydney, N.S.W.)
852 80 $bfax$hN7410$iAr747