Record ID | marc_columbia/Columbia-extract-20221130-005.mrc:62451081:3413 |
Source | marc_columbia |
Download Link | /show-records/marc_columbia/Columbia-extract-20221130-005.mrc:62451081:3413?format=raw |
LEADER: 03413fam a22004338a 4500
001 2050976
005 20220615193157.0
008 970409s1997 maua c 000 0 eng
010 $a 97011990
020 $a0821223755
035 $a(OCoLC)36755805
035 $a(OCoLC)ocm36755805
035 $9AMT3146CU
035 $a(NNC)2050976
035 $a2050976
040 $aDLC$cDLC$dNNC$dOrLoB-B
041 1 $aeng$hfre
050 00 $aTR820$b.W3974 1997
082 00 $a070.4/9/0744436$221
100 0 $aWeegee,$d1899-1968.$0http://id.loc.gov/authorities/names/n50001111
245 10 $aWeegee's world /$cWeegee ; [edited by] Miles Barth ; essays by Ellen Handy and Alain Bergala.
260 $aBoston :$bLittle, Brown,$c1997.
263 $a9711
300 $a262 pages :$billustrations ;$c32 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
500 $a"First published by Editions du Seuil, Paris, in conjunction with the exhibition 'Weegee's World' organized by the International Center of Photography, New York, on view at ICP from November 21, 1997 through February 22, 1998"--T.p. verso.
500 $a"A Bulfinch Press book."
504 $aIncludes bibliographical references.
505 00 $tWeegee's World /$rMiles Barth --$tLower East Side --$tPolice --$tWeegee and Film Noir /$rAlain Bergala --$tFire --$tSammy's --$tConey Island --$tPicturing New York, the Naked City: Weegee and Urban Photography /$rEllen Handy --$tTimes Square --$tThe Opera --$tWar --$tLovers --$tHarlem --$tEntertainment --$tMovie Theaters --$tThe Circus --$tThe Village --$tPersonalities --$tDistortions --$tWeegee Chronology.
520 $aA landmark volume on the most celebrated news photographer of this century, Weegee's World features the work of this archetypal hard-bitten tabloid photographer, who was also a modern master of the art of photography. From the 1930s to the 1960s, Weegee's images of murder, mayhem, and New York's seamy underside set a new standard for immediacy and wit - and influenced a generation of imitators.
520 8 $aArthur Fellig, known as Weegee, made a place for himself among newspaper photographers with his feel for the spectacular as well as the story. Working mostly at night, answering the calls of the police and firemen of New York City, Weegee carried out an obsessional documentation of the murders, suicides, accidents, and fires of his city, fascinated by the fringes of society.
520 8 $aWith a Speed Graphic outfitted with an on-camera flash, he shot in a stark, punchy, in-your-face style, often capturing his subjects in a startling blast of light. His accomplished and well-proven technique lends a brutal objectivity to the scenes he recorded.
520 8 $aPublished to coincide with an exhibition at the International Center of Photography in New York, this monograph takes advantage of sources until now incomplete or unpublished to present more than 250 images, reproduced in duotone, chosen by Miles Barth, curator at the ICP, with the assistance of editor Gilles Mora.
650 0 $aPhotojournalism$vExhibitions.$0http://id.loc.gov/authorities/subjects/sh2008109280
600 00 $aWeegee,$d1899-1968$vExhibitions.
700 1 $aBarth, Miles.$0http://id.loc.gov/authorities/names/n92091203
710 2 $aInternational Center of Photography.$0http://id.loc.gov/authorities/names/n79072965
852 80 $bfax$hNH32 W41$iW413