Record ID | marc_columbia/Columbia-extract-20221130-005.mrc:62833502:2183 |
Source | marc_columbia |
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LEADER: 02183fam a2200373 a 4500
001 2051249
005 20220615193222.0
008 961112s1997 nyu b 000 0 eng
010 $a 96037573
020 $a0810912287 (clothbound)
035 $a(OCoLC)35924716
035 $a(OCoLC)ocm35924716
035 $9AMT3509CU
035 $a(NNC)2051249
035 $a2051249
040 $aDLC$cDLC$dNNC$dOrLoB-B
050 00 $aND699.K3$bM47 1997
082 00 $a759.47$221
100 1 $aMesser, Thomas M.$0http://id.loc.gov/authorities/names/n50036936
245 10 $aVasily Kandinsky /$cThomas M. Messer.
260 $aNew York :$bHarry N. Abrams,$c1997.
263 $a9710
300 $a128 pages :$billustrations (some color) ;$c32 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
490 1 $aMasters of art
504 $aIncludes bibliographical references (p. 128).
520 $aVasily Kandinsky (1866-1944) was one of the principal founders of abstract painting, perhaps the most revolutionary development in twentieth-century art. In this book, forty of his major works are reproduced as full-page colorplates. Each has been provided with an accompanying commentary by Thomas M. Messer, Director Emeritus of the Solomon R. Guggenheim Foundation, New York, which possesses one of the most comprehensive collections of Kandinsky's art in existence.
520 8 $aAlong with his major artistic achievements, Kandinsky's highly original contributions to aesthetic theory are also discussed by Messer, in an extended introductory essay. Kandinsky's critical ideas, developed in the famous Blue Rider Almanac and in his two influential treatises on abstract painting - On the Spiritual in Art and Point and Line to Plane - here provide the reader with intriguing ways to approach his art.
520 8 $aA selection of documentary photographs of Kandinsky and his associates and a number of supplementary artworks reproduced in black-and-white complete the volume.
600 10 $aKandinsky, Wassily,$d1866-1944$xCriticism and interpretation.
830 0 $aMasters of art series.
852 80 $bfax$hND689 K13$iM56
852 00 $bbar$hND699.K3$iM47 1997