MARC Record from marc_columbia

LEADER: 02113mam a2200325 a 4500
001 2052281
005 20220615193401.0
008 960111s1995 nyu 000 0 eng d
020 $a0942299795 (acid-free paper)
035 $a(OCoLC)ocm34014738
035 $9AMT4778CU
035 $a(NNC)2052281
035 $a2052281
040 $aYRM$cYRM$dOrLoB-B
041 1 $aeng$hfre
100 1 $aDebord, Guy,$d1931-1994.$0http://id.loc.gov/authorities/names/n85228329
240 10 $aSociété du spectacle.$lEnglish$0http://id.loc.gov/authorities/names/n89648145
245 14 $aThe society of the spectacle /$cGuy Debord.
250 $a1st paperback ed.
260 $aNew York :$bZone Books,$c1995.
300 $a154 pages ;$c23 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
505 00 $gI.$tSeparation Perfected --$gII.$tThe Commodity as Spectacle --$gIII.$tUnity and Division Within Appearances --$gIV.$tThe Proletariat as Subject and Representation --$gV.$tTime and History --$gVI.$tSpectacular Time --$gVII.$tEnvironmental Planning --$gVIII.$tNegation and Consumption in the Cultural Sphere --$gIX.$tIdeology in Material Form.
520 $aFew works of political and cultural theory have been as enduringly provocative as Guy Debord's The Society of the Spectacle. From its publication amid the social upheavals of the 1960s up to the present, the volatile theses of this book have decisively transformed debates on the shape of modernity, capitalism and everyday life in the late twentieth century.
520 8 $aNow finally available in a superb English translation approved by the author, Debord's text remains as crucial as ever for understanding the contemporary effects of power, which are increasingly inseparable from the new virtual worlds of our rapidly changing image/information culture.
650 0 $aSocial psychology.$0http://id.loc.gov/authorities/subjects/sh85123994
650 0 $aProletariat.$0http://id.loc.gov/authorities/subjects/sh85107393
650 0 $aSocial classes.$0http://id.loc.gov/authorities/subjects/sh85123921
852 00 $bavelc$hHM291$i.D413 1995