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MARC Record from marc_columbia

Record ID marc_columbia/Columbia-extract-20221130-005.mrc:87431488:3257
Source marc_columbia
Download Link /show-records/marc_columbia/Columbia-extract-20221130-005.mrc:87431488:3257?format=raw

LEADER: 03257fam a2200397 a 4500
001 2068381
005 20220615195059.0
008 961028s1997 njua b 001 0 eng
010 $a 96048641
020 $a0838636993 (alk. paper)
035 $a(OCoLC)35865509
035 $a(OCoLC)ocm35865509
035 $9AMV2164CU
035 $a(NNC)2068381
035 $a2068381
040 $aDLC$cDLC$dNNC$dOrLoB-B
043 $an-us-pa
050 00 $aND1351.6$b.F64 1997
082 00 $a758/.109748/2109041$221
100 1 $aFolk, Thomas.$0http://id.loc.gov/authorities/names/n82232471
245 14 $aThe Pennsylvania impressionists /$cThomas C. Folk ; with a foreword by James A. Michener.
260 $aMadison, N.J. :$bFairleigh Dickinson University Press,$c1997.
263 $a9706
300 $a136 pages :$billustrations ;$c31 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
504 $aIncludes bibliographical references (p. 122-130) and index.
505 00 $tForeword /$rJames A. Michener --$g1.$tThe New Hope Art Colony --$g2.$tWilliam L. Lathrop --$g3.$tEdward Redfield --$g4.$tWalter Elmer Schofield --$g5.$tCharles Rosen's Impressionist Landscapes --$g6.$tDaniel Garber --$g7.$tRobert Spencer --$g8.$tSnell, Colt, and Bredin --$g9.$tThe Late Pennsylvania School --$g10.$tThe Pennsylavnia School in Context to the Mainstream of American Art.
520 $aThe Pennsylvania Impressionists is the first book to focus on the Pennsylvania School of Landscape Painting. Starting in 1898, a group of Impressionist painters began to settle on the outskirts of New Hope, Pennsylvania. Although largely forgotten by the 1950s, these artist comprised a major school of landscape painting. Today, considerable interest has been generated by this school.
520 8 $aThe leading figure in this group, Edward Redfield, was noted for his large, broadly and vigorously painted snow scenes, which he completed at "one go" or in a single afternoon. He developed a major reputation in American art, and was awarded more honors and prizes than any other American artist, with the exception of John Singer Sargent.
520 8 $aThe New Hope Group, which was comprised of the leading artists from this school, with the exception of Edward Redfield, was founded in 1916. Its members encountered overwhelming success when they exhibited at the Panama-Pacific Exposition in 1915. However, after World War I, interest in Impressionism in general began to fade. Nevertheless, landscape painters continued to settle in the New Hope vicinity into the 1940s.
520 8 $aNew and more radical developments in the art world made the art of these painters seem hopelessly old fashioned. The Pennsylvania Impressionists were considered the most American of American painters, and they recorded the unique character of old New Hope, with its canal and canal boats, fieldstone houses, and rock quarries. They left a legacy of peace and beauty.
650 0 $aPennsylvania school of landscape painting.$0http://id.loc.gov/authorities/subjects/sh86000448
650 0 $aImpressionism (Art)$zPennsylvania$zNew Hope Region.
650 0 $aLandscape painting, American$zPennsylvania$zNew Hope Region$y20th century.
852 80 $bfax$hND236 P38$iF71