| Record ID | marc_columbia/Columbia-extract-20221130-005.mrc:88983877:2672 |
| Source | marc_columbia |
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LEADER: 02672mam a2200361 a 4500
001 2069412
005 20220615195210.0
008 970423s1997 nyua b 001 0 eng
010 $a 97020203
020 $a1555951414 (hardcover : alk. paper)
035 $a(OCoLC)ocm36847845
035 $9AMV4175CU
035 $a2069412
040 $aDLC$cDLC$dOrLoB-B
050 00 $aN6537.T67$bD86 1997
082 00 $a759.13$221
100 1 $aDuncan, Michael,$d1953-$0http://id.loc.gov/authorities/names/n97043208
245 10 $aJoyce Treiman /$cMichael Duncan, Theodore F. Wolff.
260 $aNew York :$bHudson Hills Press,$c1997.
300 $a179 pages :$billustrations (some color) ;$c39 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
504 $aIncludes bibliographical references and index.
520 $aJoyce Treiman, one of the finest American painters of the late twentieth century, was also one of the most individualistic, combining virtuosic draftsmanship and expressive brushwork with a lifelong devotion to painting the human figure in images that are direct, visceral, and sensuous.
520 8 $aThe qualities that characterize Treiman's mature work are direct, uncompromising representationalism; an old-master attitude toward the handling of paint; a subtle but pervasive undercurrent of both irony and compassion; vibrant color and fluid brushwork; compositional complexity; and a passion for telling stories in paint.
520 8 $aJoyce Treiman is the first monograph devoted to this extraordinary artist. Theodore F. Wolff's essay provides a chronological overview of her life and career, while Michael Duncan analyzes her extraordinary late series of self-portraits. Treiman began as a draftsman and never denied drawing its central role in her creative vision.
520 8 $aThis elegant volume includes a separate album of drawings, reproducing in rich duotone what are, in Wolff's words, "a number of the finest examples of draftsmanship produced by an American during the past half century." The book's glorious centerpiece is a series of full-color reproductions of eighty-seven of Treiman's finest paintings, ranging from luridly colored pastels of Las Vegas night life to an ambitious cycle representing the labors of Hercules.
600 10 $aTreiman, Joyce$xCriticism and interpretation.
600 10 $aTreiman, Joyce$vSelf-portraits.
650 0 $aHuman figure in art.$0http://id.loc.gov/authorities/subjects/sh85062873
700 1 $aWolff, Theodore F.$0http://id.loc.gov/authorities/names/n87137309
700 1 $aTreiman, Joyce.$0http://id.loc.gov/authorities/names/n78081909
852 80 $bfax$hND239 T71$iD91