MARC Record from marc_columbia

LEADER: 03001fam a2200385 a 4500
001 2070410
005 20220615195328.0
008 970121s1997 nyua b 001 0 eng
010 $a 97003588
020 $a0312126557 (alk. paper)
020 $a0312126603 (pbk.)
035 $a(OCoLC)36301459
035 $a(OCoLC)ocm36301459
035 $9AMV5425CU
035 $a(NNC)2070410
035 $a2070410
040 $aDLC$cDLC$dDLC$dNNC$dOrLoB-B
050 00 $aPN53$b.S38 1997
082 00 $a809/.93357$221
100 1 $aSchwarz, Daniel R.$0http://id.loc.gov/authorities/names/n80006935
245 10 $aReconfiguring modernism :$bexplorations in the relationship between modern art and modern literature /$cDaniel R. Schwarz.
250 $a1st ed.
260 $aNew York, NY :$bSt. Martin's Press,$c1997.
300 $ax, 241 pages :$billustrations ;$c22 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
504 $aIncludes bibliographical references (p. [223]-229) and index.
505 00 $tIntroduction: Reconfiguring Modernism --$g1.$t"I Was the World in Which I Walked": The Transformation of the British Novel, 1890-1930 --$g2.$tManet, James's The Turn of the Screw, and the Voyeuristic Imagination --$g3.$tThe Influence of Gauguin on Conrad's Heart of Darkness --$g4.$tCezanne and Eliot: The Classical Temper and the Unity of Eliot's Gerontion --$g5.$tPainting Texts, Authoring Paintings: The Dance of Modernism --$g6.$tSearching for Modernism's Genetic Code: Picasso, Joyce, and Stevens as a Cultural Configuration --$g7.$t"Spiritually Inquisitive Images": Stevens's Reading of Modern Painting.
520 $aThe essence of Modernism - the aesthetic and intellectual movement that virtually reinvented art and literature at the turn of the twentieth century - is the thrust of the latest volume from Daniel R. Schwarz. In Reconfiguring Modernism, Schwarz suggests diverse directions for studying the relationship between modern art and modern literature.
520 8 $aBringing together thirty years of experience on the subject and drawing upon specific texts and paintings, Schwarz proposes interrelationships between such striking pairs of artists as Gauguin and Joseph Conrad, Manet and Henry James, and Cezanne and T. S. Eliot, as well as a triptych consisting of Picasso, Stevens, and Joyce. He focuses on the high Modernist period from 1890 to 1940 and examines the way in which we "read" paintings as narrative.
520 8 $aReconfiguring Modernism provocatively discusses the reading of intertextual relationships between modern painters and modern authors, and sheds new light on the influence of African, Asian, and Pacific cultures on European Modernism.
650 0 $aArt and literature.$0http://id.loc.gov/authorities/subjects/sh85007962
650 0 $aModernism (Literature)$0http://id.loc.gov/authorities/subjects/sh85086446
650 0 $aModernism (Art)$0http://id.loc.gov/authorities/subjects/sh85086445
852 00 $bglx$hPN53$i.S38 1997