MARC Record from marc_columbia

LEADER: 05492fam a2200469 a 4500
001 2072172
005 20220615195548.0
008 970902s1997 nyua b 001 0 eng
010 $a 97040215
020 $a0945193955
035 $a(OCoLC)37573693
035 $a(OCoLC)ocm37573693
035 $9AMV8031CU
035 $a(NNC)2072172
035 $a2072172
040 $aDLC$cDLC$dNNC$dOrLoB-B
043 $ae-fr---
050 00 $aML724$b.B78 1997
082 00 $a786.2/156/0944$221
100 1 $aBruhn, Siglind.$0http://id.loc.gov/authorities/names/n81084803
245 10 $aImages and ideas in modern French piano music :$bthe extra-musical subtext in piano works by Debussy, Ravel, and Messiaen /$cSiglind Bruhn.
260 $aStuyvesant, N.Y. :$bPendragon Press,$c1997.
263 $a9712
300 $axxxiii, 425 pages :$billustrations ;$c23 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
490 1 $aAesthetics in music ;$vno. 6
504 $aIncludes bibliographical references and index.
505 00 $gPt. I.$tImages and Impressions.$tThe Representation of Fictitious Images.$tTimes of Absorption: Oracles, Funerals and Celebrations.$tDanseuses de Delphes (Debussy, Preludes, I, 1).$tCanope (Debussy, Preludes, II, 10).$tFeux d'Artifice (Debussy, Preludes, II, 12).$tNoel (Messiaen, Vingt regards, XIII).$tRegard de l'Esprit de joie (Messiaen, Vingt regards, X).$tEnchanted Places.$tLa cathedrale engloutie (Debussy, Preludes, I, 10).$tLa Puerta del Vino (Debussy, Preludes, II, 3).$tLa terrasse des audiences du clair de lune (Debussy, Prel., II, 7).$tLa vallee des cloches (Ravel, Miroirs, no. 5).$tLes collines d'Anacapri (Debussy, Preludes, I, 5).$tWind and Water, Fog and Snow.$tLe vent dans la plaine (Debussy, Preludes, I, 3).$tCe qu'a vu le vent d'ouest (Debussy, Preludes, I, 7).$tVoiles (Debussy, Preludes, I, 2).$tUne barque sur l'Ocean (Ravel, Miroirs, no. 3).$tBrouillards (Debussy, Preludes, II, 1).$tDes pas sur la neige (Debussy, Preludes, I, 6).$tFlowers, Insects and Birds.
505 80 $tBruyeres (Debussy, Preludes, II, 5).$tNoctuelles (Ravel, Miroirs, no. 1).$tOiseaux tristes (Ravel, Miroirs, no. 2).$tRegard des hauteurs (Messiaen, Vingt regards, VIII).$tComedians and other performers.$tMinstrels (Debussy, Preludes, I, 12).$tGeneral Lavine - eccentric (Debussy, Preludes, II, 6).$tHommage a S. Pickwick Esq. P.P.M.P.C (Debussy, Prel., II, 9).$tLa serenade interrompue (Debussy, Preludes, I, 9).$tAlborada del gracioso (Ravel, Miroirs, no. 4) --$gPt. II.$tTales and Poems.$tThe Interarts Translation of Narratives.$tNymphs, Fairies, and Sprites.$tOndine (Debussy, Preludes, II, 8).$tLa danse de Puck (Debussy, Preludes, I, 11).$t"Les fees sont d'exquises danseuses" (Debussy, Preludes, II, 4).$tEvening Harmony, Morning Delight, and Death.$t"Les sons et les parfums tournent dans l'air du soir" (Debussy, Prel., I, 4).$tLa fille aux cheveux de lin (Debussy, Preludes, I, 8).$tFeuilles mortes (Debussy, Preludes, II, 2).$tApparitions and Visitations.$tOndine (Ravel, Gaspard de la nuit, no. 1).
505 80 $tLe Gibet (Ravel, Gaspard de la nuit, no. 2).$tScarbo (Ravel, Gaspard de la nuit, no. 3) --$gPt. III.$tSpiritual Concepts and Divine Attributes.$tThe Meditative Transfiguration of Imagery.$tGod's Love.$tRegard du Pere (Messiaen, Vingt regards, I).$tRegard du Fils sur le Fils (Messiaen, Vingt regards, V).$tPremiere communion de la Vierge (Messiaen, Vingt regards, XI).$tRegard de l'Eglise d'amour (Messiaen, Vingt regards, XX).$tThe Child.$tLa baiser de l'Enfant-Jesus (Messiaen, Vingt regards, XV).$tJe dors, mais mon coeur veille (Messiaen, Vingt regards, XIX).$tRegard de la Vierge (Messiaen, Vingt regards, IV).$tIncarnation and Suffering.$tRegard de l'etoile (Messiaen, Vingt regards, II).$tRegard de la Croix (Messiaen, Vingt regards, VII).$tRegard des prophetes, des bergers et des Mages (VR, XVI).$tRegard de l'Onction terrible (Messiaen, Vingt regards, XVIII).$tThe Word.$tPar Lui tout a ete fait (Messiaen, Vingt regards, VI).$tLa parole toute-puissante (Messiaen, Vingt regards, XII).
505 80 $tRegard des Anges (Messiaen, Vingt regards, XIV).$tThe Exchange of Natures and the Nature(s) of Time and Silence.$tL'echange (Messiaen, Vingt regards, III).$tRegard du temps (Messiaen, Vingt regards, IX).$tRegard du silence (Messiaen, Vingt regards, XVII.$gApp. I.$tLes tierces alternees (Debussy, Preludes, II, 11) --$gApp. II.$tMessiaen's Musical Language --$gApp. III.$tBrief Overview of Olivier Messiaen's Cycle Vingt Regards sur l'Enfant-Jesus --$gApp. IV.$tFrench Performance Indications.
650 0 $aPiano music$xInterpretation (Phrasing, dynamics, etc.)$0http://id.loc.gov/authorities/subjects/sh85101788
650 0 $aPerformance practice (Music)$zFrance$y20th century.
650 0 $aMusic$xPhilosophy and aesthetics.$0http://id.loc.gov/authorities/subjects/sh85088808
650 0 $aMusic$xSemiotics.$0http://id.loc.gov/authorities/subjects/sh90001927
650 0 $aMusic and language.$0http://id.loc.gov/authorities/subjects/sh85088885
600 10 $aDebussy, Claude,$d1862-1918.$tPiano music.$0http://id.loc.gov/authorities/names/n86860337
600 10 $aRavel, Maurice,$d1875-1937.$tPiano music.$0http://id.loc.gov/authorities/names/n81097546
600 10 $aMessiaen, Olivier,$d1908-1992.$tPiano music.$0http://id.loc.gov/authorities/names/n87833422
830 0 $aAesthetics in music ;$vno. 6.$0http://id.loc.gov/authorities/names/n83735153
852 00 $bmus$hML724$i.B78 1997