| Record ID | marc_columbia/Columbia-extract-20221130-005.mrc:94471483:3599 |
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LEADER: 03599fam a2200421 a 4500
001 2073173
005 20220615195711.0
008 970409s1997 nyu b 001 0 eng
010 $a 97016216
020 $z0801433655 (alk. paper)
020 $a0801484030 (pbk. : alk. paper)
035 $a(OCoLC)36783834
035 $a(OCoLC)ocm36783834
035 $9AMV9261CU
035 $a(NNC)2073173
035 $a2073173
040 $aDLC$cDLC$dNNC$dOrLoB-B
050 00 $aPN771$b.R45 1997
082 00 $a809/.923$221
245 00 $aReading matters :$bnarrative in the new media ecology /$cJoseph Tabbi and Michael Wutz, editors.
260 $aIthaca, N.Y. :$bCornell University Press,$c1997.
263 $a9705
300 $a316 pages :$billustrations ;$c24 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
504 $aIncludes bibliographical references (p. 293-309) and index.
505 00 $tIntroduction /$rJoseph Tabbi and Michael Wutz --$gPt. I.$tModernist Narrating Machines.$g1.$tMagic Media Mountain: Technology and the Umbildungsroman /$rGeoffrey Winthrop-Young.$g2.$tArchaic Mechanics, Anarchic Meaning: Malcolm Lowry and the Technology of Narrative /$rMichael Wutz.$g3.$tWriting Machines: Technology and the Failures of Representation in the Works of Franz Kafka /$rKlaus Benesch --$gPt. II.$tMaterialities of Reading.$g4.$tStrange Attractors in Absalom, Absalom! /$rJo Alyson Parker.$g5.$tCinema and the Paralysis of Perception: Robbe-Grillet, Condillac, Virilio /$rLinda Brigham.$g6.$tExploring Technographies: Chaos Diagrams and Oulipian Writing as Virtual Signs /$rPaul A. Harris --$gPt. III.$tPostmodernisms: The Novel in the Era of Media Multiplicity.$g7.$tMedia and Drugs in Pynchon's Second World War /$rFriedrich Kittler.$g8.$tMediality in Vineland and Necromancer /$rJohn Johnston.$g9.$tNo More Heroes: The Routinization of the Epic in Techno-Thrillers /$rPiotr Siemion --
505 80 $gPt. IV.$tThe Book in Bits: Hypertext and Virtual Narrative.$g10.$tThe Literary Canon in the Age of Its Technological Obsolescence /$rWilliam Paulson.$g11.$tVirtual Textuality /$rLynn Wells.$g12.$tNo War Machine /$rStuart Moulthrop.
520 $aThe twelve original essays, published here for the first time, are the work of distinguished scholar-critics on both sides of the Atlantic. They cover the range of contemporary literature, from the canonical novels of high modernism and postmodernism through subjects only recently put on the academic agenda, such as cyberpunk and hypertext fiction.
520 8 $aIn an age that has proclaimed the death of the novel many times over, the editors and contributors argue persuasively for the continued vitality of literary narrative. By responding in ingenious ways to the capabilities of other media, they assert, the novel has enlarged and redefined its territory of representation and its range of techniques and play, while maintaining its viability in the new media assemblage.
650 0 $aLiterature, Modern$y20th century$xHistory and criticism.$0http://id.loc.gov/authorities/subjects/sh85077561
650 0 $aPostmodernism (Literature)$0http://id.loc.gov/authorities/subjects/sh89000478
650 0 $aLiterature and technology.$0http://id.loc.gov/authorities/subjects/sh85077575
650 0 $aNarration (Rhetoric)$0http://id.loc.gov/authorities/subjects/sh85089833
700 1 $aTabbi, Joseph,$d1960-$0http://id.loc.gov/authorities/names/n94112836
700 1 $aWutz, Michael.$0http://id.loc.gov/authorities/names/n97039219
852 00 $bglx$hPN771$i.R45 1997
852 00 $bbar$hPN771$i.R45 1997