| Record ID | marc_columbia/Columbia-extract-20221130-006.mrc:129417864:1462 |
| Source | marc_columbia |
| Download Link | /show-records/marc_columbia/Columbia-extract-20221130-006.mrc:129417864:1462?format=raw |
LEADER: 01462fam a2200325 a 4500
001 2609329
005 20221012203846.0
008 990603s1999 ilua b 001 0 eng
010 $a 99032792
020 $a0226774112 (alk. paper)
020 $a0226774120 (pbk. : alk. paper)
035 $a(OCoLC)41580436
035 $a(OCoLC)ocm41580436
035 $9AQV0886CU
035 $a(NNC)2609329
035 $a2609329
040 $aDLC$cDLC$dDLC$dNNC$dOrLoB-B
050 00 $aPN1995$b.S726 1999
082 00 $a791.43/01$221
100 1 $aStewart, Garrett.$0http://id.loc.gov/authorities/names/n83201750
245 10 $aBetween film and screen :$bmodernism's photo synthesis /$cGarrett Stewart.
260 $aChicago, IL :$bUniversity of Chicago Press,$c1999.
300 $axi, 386 pages :$billustrations ;$c25 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
504 $aIncludes bibliographical references (p. [337]-377) and index.
505 00 $tIntroduction: Narrative Cinema as Film --$g1.$tPhoto-gravure --$g2.$tMotion's Negative Imprint --$g3.$tFrame of Reference --$g4.$tDeaths Seen --$g5.$tThe Photographic Regress of Science Fiction Film --$g6.$tCinema's Victorian Retrofit --$g7.$tModernism and the Flicker Effect.
650 0 $aMotion pictures$xAesthetics.$0http://id.loc.gov/authorities/subjects/sh85088085
650 0 $aCinematography.$0http://id.loc.gov/authorities/subjects/sh85026014
852 00 $bglx$hPN1995$i.S726 1999