| Record ID | marc_columbia/Columbia-extract-20221130-006.mrc:178810499:2612 |
| Source | marc_columbia |
| Download Link | /show-records/marc_columbia/Columbia-extract-20221130-006.mrc:178810499:2612?format=raw |
LEADER: 02612mam a2200421 a 4500
001 2651910
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008 000127t20002000cauaf b s001 0deng
010 $a 00022764
020 $a0520222083 (cloth : acid-free paper)
020 $a0520222091 (pbk. : acid-free paper)
035 $a(OCoLC)43397150
035 $a(OCoLC)ocm43397150
035 $9AQZ8277CU
035 $a(NNC)2651910
035 $a2651910
040 $aDLC$cDLC$dDLC$dCStRLIN$dOrLoB-B
043 $an-us---
050 00 $aND237.E15$bB47 2000
082 00 $a709/.2$221
100 1 $aBerger, Martin A.$0http://id.loc.gov/authorities/names/n00000305
245 10 $aMan made :$bThomas Eakins and the construction of Gilded Age manhood /$cMartin A. Berger.
260 $aBerkeley, Calif. :$bUniversity of California Press,$c[2000], ©2000.
300 $axv, 167 pages, 8 unnumbered pages of plates :$billustrations (some color) ;$c21 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
490 1 $aMen and masculinity ;$v6
504 $aIncludes bibliographical references (p. 151-157) and index.
505 00 $gCh. 1.$tManly Associations --$gCh. 2.$tComplicating the Heroes of Modern Life --$gCh. 3.$tAlternative Communities --$tEpilogue: Discourse and Agency.
520 1 $a"Often censured during his lifetime for his insistence on studying and painting from the nude, Thomas Eakins (1844-1916) is now acclaimed as one of America's greatest realist painters. Man Made examines Eakins's art and life, illustrating how the artist used his canvases to cope with the complex requirements of Victorian gender. Martin Berger reads a series of Eakins's paintings, ranging from early to late works, giving a nuanced and elegant examination of Eakins's portrayal of white, middle-class manhood.
520 8 $aThis provocative cultural art history treats these paintings in terms of what they reveal about Eakins's own identity as well as the nation's changing ideals of manhood during the final years of the nineteenth century."--BOOK JACKET.
600 10 $aEakins, Thomas,$d1844-1916$xCriticism and interpretation.
650 0 $aMasculinity in art.$0http://id.loc.gov/authorities/subjects/sh96012017
650 0 $aGender identity in art.$0http://id.loc.gov/authorities/subjects/sh97000999
650 0 $aArt and society$zUnited States$xHistory$y19th century.
700 1 $aEakins, Thomas,$d1844-1916.$0http://id.loc.gov/authorities/names/n80061185
830 0 $aMen and masculinity (Berkeley, Calif.) ;$v6.$0http://id.loc.gov/authorities/names/n94063278
852 80 $bfax$hND239 Ea5$iB45