Record ID | marc_columbia/Columbia-extract-20221130-006.mrc:293608451:2482 |
Source | marc_columbia |
Download Link | /show-records/marc_columbia/Columbia-extract-20221130-006.mrc:293608451:2482?format=raw |
LEADER: 02482mam a22003494a 4500
001 2756774
005 20221013003241.0
008 000526r20001995caug bk s001 0 eng
010 $a 00042611
015 $aGBA0-73118
020 $a0520225414 (pbk. : alk. paper)
035 $a(OCoLC)ocm44174261
035 $9ARM2345CU
035 $a2756774
040 $aDLC$cDLC$dC#P$dUKM$dOrLoB-B
042 $apcc
050 00 $aML3470$b.B73 2000
082 00 $a781.64$221
100 1 $aBrackett, David.$0http://id.loc.gov/authorities/names/n94109321
245 10 $aInterpreting popular music /$cDavid Brackett ; with a new preface by the author.
250 $a1st California pbk.
260 $aBerkeley :$bUniversity of California Press,$c2000.
300 $axv, 260 pages :$bmusic ;$c23 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
500 $aOriginally published: Cambridge ; New York : Cambridge University Press, 1995.
504 $aIncludes bibliographical references (p. 237-248) discography (p. 249-250), and index.
505 00 $g1.$tIntroduction.$gI.$tCodes and competences.$gII.$tWho is the author?$gIII.$tMusicology and popular music.$gIV.$tPostlude --$g2.$tFamily values in music? Billie Holiday's and Bing Crosby's "I'll Be Seeing You"$gI.$tA tale of two (or three) recordings.$gII.$tCritical discourse.$gIII.$tBiographical discourse.$gIV.$tStyle and history.$gV.$tPerformance, effect, and affect --$g3.$tWhen you're lookin' at Hank (you're looking at country).$gI.$tLyrics, metanarratives, and the great authenticity debate.$gII.$tSound, performance, gender, and the honky-tonk.$gIII.$t"A feeling called the blues"$gIV.$tThe emergence of "country-western" --$g4.$tJames Brown's "Superbad" and the double-voiced utterance.$gI.$tThe discursive space of black music.$gII.$tSignifying(g) - words and performance.$gIII.$tMusical signifyin(g) --$g5.$tWriting, music, dancing, and architecture in Elvis Costello's "Pills and Soap"$gI.$tThe "popular aesthetic"$gII.$tStyle and aesthetics.$gIII.$tInterpretation and (post)modern pop.
505 80 $gIV.$tA question of influence --$g6.$tAfterword: the citizens of Simpleton --$gApp. A.$tReading the spectrum photos --$gApp. B.$tRegistral terminology.
650 0 $aPopular music$xHistory and criticism.$0http://id.loc.gov/authorities/subjects/sh2008109787
650 0 $aPopular music$xAnalysis, appreciation.$0http://id.loc.gov/authorities/subjects/sh2022002081
852 00 $bmus$hML3470$i.B73 2000