| Record ID | marc_columbia/Columbia-extract-20221130-006.mrc:360658863:2357 |
| Source | marc_columbia |
| Download Link | /show-records/marc_columbia/Columbia-extract-20221130-006.mrc:360658863:2357?format=raw |
LEADER: 02357mam a2200373 a 4500
001 2819658
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008 000622t20002000ctuafg b 001 0 eng
010 $a 00043490
015 $aGBA0-V7837
020 $a0300084420
035 $a(OCoLC)ocm44502241
035 $9ARU0692CU
035 $a(NNC)2819658
035 $a2819658
040 $aDLC$cDLC$dUKM$dC#P$dOrLoB-B
042 $apcc
050 00 $aML1055$b.D37 2000
082 00 $a780/.26/6$221
100 1 $aDay, Timothy.$0http://id.loc.gov/authorities/names/n90634136
245 12 $aA century of recorded music :$blistening to musical history /$cTimothy Day.
260 $aNew Haven [Conn.] :$bYale University Press,$c[2000], ©2000.
300 $ax, 306 pages, 16 unnumbered pages of plates :$billustrations, music ;$c24 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
504 $aIncludes bibliographical references (p. [262]-288) and index.
520 1 $a"The book investigates the work of such great recording engineer-impresarios as Fred Gaisberg and Walter Legge; the recording history of conductors, orchestras, and soloists throughout the century; and the development of the great classical recording labels. Day also addresses a variety of questions raised by the study of recordings: What have people expected of a recorded performance? Do recordings constitute an art form in their own right? What is historical authenticity? What is moral authenticity?
520 8 $aAre recordings that endow incompetent artists with flawless techniques somehow fraudulent? Why do artists re-record repertoire? This book will inform and engage a wide range of readers, from those who love music and recordings to performers and scholars and all readers with an interest in the social and artistic history of the twentieth century."--BOOK JACKET.
650 0 $aSound recordings$xHistory.$0http://id.loc.gov/authorities/subjects/sh2010114233
650 0 $aSound$xRecording and reproducing$xHistory.$0http://id.loc.gov/authorities/subjects/sh2010114225
650 0 $aSound recording industry$xHistory.$0http://id.loc.gov/authorities/subjects/sh2010114232
650 0 $aMusic$y20th century$xHistory and criticism.$0http://id.loc.gov/authorities/subjects/sh2001000180
852 00 $boff,mus$hML1055$i.D37 2000
852 00 $bmus$hML1055$i.D37 2000