| Record ID | marc_columbia/Columbia-extract-20221130-006.mrc:403766269:1350 |
| Source | marc_columbia |
| Download Link | /show-records/marc_columbia/Columbia-extract-20221130-006.mrc:403766269:1350?format=raw |
LEADER: 01350mam a22003374a 4500
001 2861024
005 20221013025536.0
008 010202s2001 gw ag mbk 000 0 fre c
016 7 $a960174893$2GyFmDB
020 $a3487112736 (pbk.)
035 $a(OCoLC)ocm45860332
035 $9ARZ4435CU
035 $a(NNC)2861024
035 $a2861024
040 $aCOO$cCOO$dOHX$dMBB
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043 $ae-fr---
050 4 $aML1727.4$b.B37 2001
072 7 $aML$2lcco
100 1 $aBara, Olivier.$0http://id.loc.gov/authorities/names/nr2001021869
245 13 $aLe théâtre de l'opéra-Comique sous la Restauration :$benquête autour d'un genre moyen /$cOlivier Bara.
260 $aHildesheim ;$aNew York :$bG. Olms,$c2001.
300 $a630 pages :$billustrations, music ;$c21 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
490 1 $aMusikwissenschaftliche Publikationen,$x0944-8608 ;$vBd. 14
502 $aThesis (doctoral) - Universität, Paris, 1998.
610 20 $aOpéra-Comique (Paris, France)$0http://id.loc.gov/authorities/names/n50079441
650 0 $aOpera$zFrance$zParis$y19th century.$0http://id.loc.gov/authorities/subjects/sh2010104423
830 0 $aMusikwissenschaftliche Publikationen ;$vBd. 14.$0http://id.loc.gov/authorities/names/n94055855
852 00 $boff,mus$hML1727.4$i.B37 2001g