It looks like you're offline.
Open Library logo
additional options menu

MARC Record from marc_columbia

Record ID marc_columbia/Columbia-extract-20221130-006.mrc:417867424:3441
Source marc_columbia
Download Link /show-records/marc_columbia/Columbia-extract-20221130-006.mrc:417867424:3441?format=raw

LEADER: 03441mam a22003614a 4500
001 2956437
005 20221013041133.0
008 000225s2000 iluabg b 001 0 eng
010 $a 00023672
020 $a0226701999 (alk. paper)
020 $a0226702006 (pbk. : alk. paper)
035 $a(OCoLC)ocm43555385
035 $9ASK1433CU
035 $a(NNC)2956437
035 $a2956437
040 $aDLC$cDLC$dC#P$dZGM$dOrLoB-B
042 $apcc
050 00 $aML3795$b.M782 2000
082 00 $a780/.89$221
245 00 $aMusic and the racial imagination /$cedited by Ronald Radano and Philip V. Bohlman; with a foreword by Houston A. Baker, Jr.
260 $aChicago :$bUniversity of Chicago Press,$c2000.
300 $axv, 703 pages :$billustrations, maps, music ;$c24 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
490 1 $aChicago studies in ethnomusicology
504 $aIncludes bibliographical references and index.
505 00 $tForeword /$rHouston A. Baker, Jr. --$tIntroduction: Music and Race, Their Past, Their Presence /$rRonald Radano and Philip V. Bohlman --$g1.$tThe Asian American Body in Performance /$rDeborah Wong --$g2.$tEthnifying Rhythms, Feminizing Cultures /$rFrances R. Aparicio --$g3.$t"Ain't I People?": Voicing National Fantasy /$rBrian Currid --$g4.$t"Sexual Pantomimes," the Blues Aesthetic, and Black Women in the New South /$rTera W. Hunter --$g5.$tRace Music: Bo Chatmon, "Corrine Corrina," and the Excluded Middle /$rChristopher A. Waterman --$g6.$tMestizaje in the Mix: Chicano Identity, Cultural Politics, and Postmodern Music /$rRafael Perez-Torres --$g7.$tPerforming Decency: Ethnicity and Race in Andean "Mestizo" Ritual Dance /$rZoila Mendoza --$g8.$tIndonesian-Chinese Oppression and the Musical Outcomes in the Netherlands East Indies /$rMargaret I. Kartomi --$g9.$tEthnic Identity, National Identity, and Music in Indo-Trinidadian Culture /$rPeter Manuel --$g10.$tPresencing the Past and Remembering the Present: Social Features of Popular Music in Kenya /$rD. A. Masolo --$g11.$tBela Bartok and the Rise of Comparative Ethnomusicology: Nationalism, Race Purity, and the Legacy of the Austro-Hungarian Empire /$rKatie Trumpener --$g12.$tRacial Projects and Musical Discourses in Trinidad, West Indies /$rJocelyne Guilbault --$g13.$tHot Fantasies: American Modernism and the Idea of Black Rhythm /$rRonald Radano --$g14.$tAlban Berg, the Jews, and the Anxiety of Genius /$rSander L. Gilman --$g15.$t"Death is a Drum": Rhythm, Modernity, and the Negro Poet Laureate /$rLarry Scanlon --$g16.$tRace, Class, and Musical Nationalism in Zimbabwe /$rThomas Turino --$g17.$tDuke Ellington, Black, Brown and Beige, and the Cultural Politics of Race /$rKevin Gaines --$g18.$tNaming the Illuminati /$rChristopher Holmes Smith and John Fiske --$g19.$tMusic Wars: Blood and Song at the End of Yugoslavia /$rTomislav Longinovic --$g20.$tThe Remembrance of Things Past: Music, Race, and the End of History in Modern Europe /$rPhilip V. Bohlman.
650 0 $aMusic and race.$0http://id.loc.gov/authorities/subjects/sh85088890
700 1 $aRadano, Ronald Michael.$0http://id.loc.gov/authorities/names/n87905615
700 1 $aBohlman, Philip V.,$d1952-$0http://id.loc.gov/authorities/names/n86805131
830 0 $aChicago studies in ethnomusicology.$0http://id.loc.gov/authorities/names/n88539613
852 00 $bmus$hML3795$i.M782 2000
852 00 $bglx$hML3795$i.M782 2000