| Record ID | marc_columbia/Columbia-extract-20221130-006.mrc:433394655:3608 |
| Source | marc_columbia |
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LEADER: 03608fam a2200373 a 4500
001 2969849
005 20221013043422.0
008 001003s2001 nyua b 001 0 eng
010 $a 00050108
020 $a0814762034 (alk. paper)
020 $a0814762026 (pbk. : alk. paper)
035 $a(OCoLC)45136721
035 $a(OCoLC)ocm45136721
035 $9ASL6000CU
035 $a(NNC)2969849
035 $a2969849
040 $aDLC$cDLC$dDLC$dOrLoB-B
050 00 $aPN1994$b.P6567 2001
082 00 $a791.43/09/045$221
245 00 $aPost-war cinema and modernity :$ba film reader /$cedited by John Orr and Olga Taxidou.
246 3 $aPostwar cinema and modernity
260 $aNew York, NY :$bNew York University Press,$c2001.
300 $aix, 445 pages :$billustrations ;$c25 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
500 $aIncludes bibliographical references and index.
505 00 $gSect. 1.$tFilm Theory and Film Form --$tIntroduction /$rJohn Orr.$g1.$tAn Aesthetic of Reality: Neorealism (Cinematic Realism and the Italian School of the Liberation) /$rAndre Bazin.$g2.$tNoir Narration /$rJ. P. Telotte.$g3.$tThe 'Cinema of Poetry' /$rPier Paolo Pasolini.$g4.$tThe Modern Cinema and Narrativity /$rChristian Metz.$g5.$tSpatial and Temporal Articulations /$rNoel Burch.$g6.$tThe Mind's Eye /$rBruce F. Kawin.$g7.$tBeyond the Movement-Image /$rGilles Deleuze.$g8.$tImaging /$rTeresa de Lauretis.$g9.$tTotality as Conspiracy /$rFredric Jameson.$g10.$tA Cinema of Poetry /$rJohn Orr.$g11.$tA Travelling Shot over Eighty Years /$rPaul Virilio.$g12.$tCinema and Technology: A Historical Overview /$rPeter Wollen.$g13.$tThe Role of the Apparatus /$rJacques Aumont.$g14.$tTime, Rhythm, Editing /$rAndrei Tarkovsky.$g15.$tThe Fact of Realism and the Fiction of Objectivity /$rBill Nichols.$g16.$tThe Artificial Infinite: On Special Effects and the Sublime /$rScott Bukatman.
505 80 $g17.$tNeo-expressionism and British Cinematography: The Work of Robert Krasker and Jack Cardiff /$rDuncan Petrie.$g18.$tDays of Heaven: (Terrence Malick - 1976) /$rNestor Almendros.$g19.$tMichael Chapman: (interview with Michael Chapman) /$rDennis Schaefer and Larry Salvato --$gSect. 2.$tInternational Cinema --$tIntroduction /$rOlga Taxidou.$g20.$tIntroduction to Ozu /$rDonald Richie.$g21.$tFemininity By Design: Vertigo /$rTania Modleski.$g22.$tIntroduction to Orson Welles, Director /$rTerry Comito.$g23.$tBresson /$rPaul Schrader.$g24.$tGodard /$rSusan Sontag.$g25.$tAntonioni's Red Desert /$rAngela Dalle Vacche.$g26.$tTransformations in Fassbinder's: Bitter Tears of Petra von Kant /$rTimothy Corrigan.$g27.$tBlack God, White Devil: The Representation of History /$rIsmail Xavier.$g28.$tThe Shoot /$rColin MacCabe.$g29.$tThe Carapace That Failed: Ousmane Sembene's Xala /$rLaura Mulvey.$g30.$tThe Book Depository /$rDavid Pascoe.$g31.$tThe Force of Surfaces: Defiance in Zhang Yimou's Films /$rRey Chow.
505 80 $g32.$tMonuments of Time: The Works of Theo Angelopoulos /$rVassiliki Kolocotroni.$g33.$tImaginary Images: An Examination of Atom Egoyan's Films /$rPeter Harcourt.$g34.$tBergman's Silence (translated by Paul Coates) /$rKrzystof Kieslowski.$g35.$tRepentance: Stalinist Terror and the Realism of Surrealism /$rDenise Youngblood.
650 0 $aMotion pictures.$0http://id.loc.gov/authorities/subjects/sh85088084
700 1 $aOrr, John,$d1943-2010.$0http://id.loc.gov/authorities/names/n77005971
700 1 $aTaxidou, Olga.$0http://id.loc.gov/authorities/names/n98042298
852 00 $bglx$hPN1994$i.P6567 2001
852 00 $bmil$hPN1994$i.P6567 2001