MARC Record from marc_columbia

LEADER: 03440mam a22003974a 4500
001 2994459
005 20221019183912.0
008 000901s2001 gaua bc 001 0 eng
010 $a 00046185
020 $a0847823407 (cloth : alk. paper)
035 $a(OCoLC)ocm44969408
035 $9ASP3553CU
035 $a2994459
040 $aDLC$cDLC$dC#P$dOrLoB-B
042 $apcc
043 $an-us---
050 00 $aN6853.D33$bA4 2001
082 00 $a759.4$221
100 1 $aDumas, Ann.$0http://id.loc.gov/authorities/names/n87862379
245 10 $aDegas and America :$bthe early collectors /$cAnn Dumas, David A. Brenneman ; [organized by the High Museum of Art in collaboration with the Minneapolis Institute of Arts].
260 $aAtlanta :$bHigh Museum of Art ;$a[Minneapolis] :$bMinneapolis Institute of Arts ;$aNew York :$bDistributed by Rizzoli International Publications,$c2001.
300 $a263 pages :$billustrations (some color) ;$c31 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
500 $aExhibition at the High Museum of Art from March 3 to May 27, 2001 and at the Minneapolis Institute of Arts from June 16 to Sept. 9, 2001.
504 $aIncludes bibliographical references (p. 251-255) and index.
505 00 $tDirectors' Preface /$rMichael E. Shapiro and Evan M. Maurer --$tDegas in America /$rAnn Dumas --$tLouisine Havemeyer and Edgar Degas /$rRebecca A. Rabinow --$tDegas and His American Critics /$rDavid A. Brenneman --$tInfluence in Low Places: Degas and the Ashcan Generation /$rRichard Kendall --$tDegas: The Sculptures /$rValerie J. Fletcher --$gApp.$tSelected Degas Exhibitions in America, 1878-1936 /$rPhaedra Siebert.
520 1 $a"Degas and America: The Early Collectors is organized by Ann Dumas and David Brenneman. The catalogue includes several illustrated essays. Ann Dumas details the early awareness of Degas in America ... the first exhibitions and purchases, the movement of works around the country, the first collectors, the development of the American taste for the Frenchman's art.
520 8 $aRebecca Rabinow writes of Louisine Havemeyer, the first great American collector of Degas, who was led by her friend Mary Cassatt to begin amassing a collection that was bequeathed to the Metropolitan Museum of Art in New York. David Brenneman surveys the critical response to first appearances of art by Degas in the United States, noting the generally warm acceptance and admiring attention earned by Degas. Richard Kendall contributes an essay on the impact of Degas's art and sensibility upon American artists, especially painters of the Ashcan generation and members of The Eight.
520 8 $aValerie Fletcher writes a short overview of the problematic subject of Degas's sculpture; almost none of the sculpture was intended for public viewing, yet it was warmly embraced by American collectors and museums, whose holdings now form the best representation of Degas's work in this medium."--BOOK JACKET.
600 10 $aDegas, Edgar,$d1834-1917$xAppreciation$zUnited States$vExhibitions.
650 0 $aArt$xCollectors and collecting$zUnited States$vExhibitions.
700 1 $aBrenneman, David A.$0http://id.loc.gov/authorities/names/n98084596
710 2 $aHigh Museum of Art.$0http://id.loc.gov/authorities/names/n81029646
710 2 $aMinneapolis Institute of Arts.$0http://id.loc.gov/authorities/names/n80024146
852 80 $bfax$hND553 D36$iD89