| Record ID | marc_columbia/Columbia-extract-20221130-006.mrc:465938666:1195 |
| Source | marc_columbia |
| Download Link | /show-records/marc_columbia/Columbia-extract-20221130-006.mrc:465938666:1195?format=raw |
LEADER: 01195cam a22003371 4500
001 2998560
005 20221019184758.0
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035 $a(OCoLC)ocm45757077
035 $9ATE1283CU
035 $a2998560
037 $a(NNC)MN2001-10003-9$bZCU
040 $aZCU$cPR@$dZCU
099 $aF$ah551
100 1 $aWeiner, Karl Adam,$d1885-
245 14 $aDie Verwendung des Parallelismus als Kunstmittel im englischen Drama vor Shakespeare.
260 $aHamburg :$bBerngruber & Henning,$c1916.
300 $avi, 72 pages ;$c22 cm
336 $atext$btxt$2rdacontent
337 $amicroform$bh$2rdamedia
502 $aInaug.-Diss.--Giessen.
500 $aVita.
504 $aIncludes bibliographical references.
533 $aMicrofilm.$bNew York, N.Y. :$cColumbia University Libraries,$d2001.$e1 microfilm reel ; 35 mm.
590 $aMaster negative: 2001-10003-9.
590 $aNo. 9 on a reel of 21 titles.
650 0 $aEnglish drama$yEarly modern and Elizabethan, 1500-1600$xHistory and criticism.$0http://id.loc.gov/authorities/subjects/sh2008103081
852 80 $bmrr$hF h551