MARC Record from marc_columbia

LEADER: 03570mam a2200421 a 4500
001 3094908
005 20221019215328.0
008 000809t20012001inuag b s001 0 eng
010 $a 00063426
020 $a0253328861 (alk. paper)
020 $a0253214254 (pbk. : alk. paper)
035 $a(OCoLC)ocm44811631
035 $9ATS3443CU
035 $a(NNC)3094908
035 $a3094908
040 $aDLC$cDLC$dOCL$dC#P$dOrLoB-B
043 $an-us-ny
050 00 $aPS153.N5$bT45 2001
082 00 $a810.9/89607471$221
245 00 $aTemples for tomorrow :$blooking back at the Harlem Renaissance /$cedited by Geneviève Fabre and Michel Feith.
260 $aBloomington :$bIndiana University Press,$c[2001], ©2001.
300 $ax, 392 pages :$billustrations, music ;$c24 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
504 $aIncludes bibliographical references (p. 351-378) and index.
505 00 $t"Temples for Tomorrow": Introductory Essay /$rGenevieve Fabre and Michel Feith --$g1.$tRacial Doubt and Racial Shame in the Harlem Renaissance /$rArnold Rampersad --$g2.$tThe Syncopated African: Constructions of Origins in the Harlem Renaissance (Literature, Music, Visual Arts) /$rMichel Feith --$g3.$tOh Africa! The Influence of African Art during the Harlem Renaissance /$rAmy H. Kirschke --$g4.$tFlorence B. Price's "Negro Symphony" /$rRae Linda Brown --$g5.$tEthel Waters: The Voice of an Era /$rRandall Cherry --$g6.$tOscar Micheaux and the Harlem Renaissance /$rClyde Taylor --$g7.$tThe Tragedy and the Joke: James Weldon Johnson's The Autobiography of an Ex-Coloured Man /$rAlessandro Portelli --$g8.$t"The Spell of Africa Is Upon Me": W.E.B. DuBois's Notion of Art as Propaganda /$rAlessandra Lorini --$g9.$tSubject to Disappearance: Interracial Identity in Nella Larsen's Quicksand /$rGeorge Hutchinson --$g10.$tNo Free Gifts: Toomer's "Fern" and the Harlem Renaissance /$rWilliam Boelhower --
505 80 $g11.$tHarlem as a Memory Place: Reconstructing the Harlem Renaissance in Space /$rDorothea Lobbermann --$g12.$t"A Basin in the Mind": Language in Their Eyes Were Watching God /$rClaudine Raynaud --$g13.$tLangston Hughes's Blues /$rMonica Michlin --$g14.$tThe Tropics in New York: Claude McKay and the New Negro Movement /$rCarl Pedersen --$g15.$tThe West Indian Presence in Alain Locke's The New Negro (1925) /$rFrancoise Charras --$g16.$tThree Ways to Translate the Harlem Renaissance /$rBrent Hayes Edwards --$g17.$tThe Harlem Renaissance Abroad: French Critics and the New Negro Literary Movement (1924-1964) /$rMichel Fabre.
650 0 $aAmerican literature$xAfrican American authors$xHistory and criticism.$0http://id.loc.gov/authorities/subjects/sh2007100736
650 0 $aAmerican literature$zNew York (State)$zNew York$xHistory and criticism.$0http://id.loc.gov/authorities/subjects/sh2009114055
650 0 $aAfrican Americans$zNew York (State)$zNew York$xIntellectual life.
650 0 $aAmerican literature$y20th century$xHistory and criticism.$0http://id.loc.gov/authorities/subjects/sh2007101049
650 0 $aAfrican American arts$zNew York (State)$zNew York.
650 0 $aAfrican Americans in literature.$0http://id.loc.gov/authorities/subjects/sh85002009
650 0 $aHarlem Renaissance.$0http://id.loc.gov/authorities/subjects/sh85058929
700 1 $aFabre, Geneviève.$0http://id.loc.gov/authorities/names/n82103023
700 1 $aFeith, Michel,$d1966-$0http://id.loc.gov/authorities/names/n00020992
852 00 $bbar$hPS153.N5$iT45 2001
852 00 $bushi$hPS153.N5$iT45 2001