MARC Record from marc_columbia

LEADER: 03335fam a22004694a 4500
001 3133920
005 20221019230651.0
008 001206t20012001nyuab bc 001 0 eng
010 $a 00068727
020 $a0870999842 (hc.)
020 $a0870999850 (pbk.)
020 $a0300088507 (Yale University Press)
035 $a(OCoLC)45575702
035 $a(OCoLC)ocm45575702
035 $9ATW8688CU
035 $a(NNC)3133920
035 $a3133920
040 $aDLC$cDLC$dDLC$dOrLoB-B
042 $apcc
043 $aa-cc---$an-us-ny
050 00 $aND1045$b.F66 2001
082 00 $a759.951/074/7471$221
100 1 $aFong, Wen.$0http://id.loc.gov/authorities/names/n80028177
245 10 $aBetween two cultures :$blate-nineteenth- and twentieth-century Chinese paintings from the Robert H. Ellsworth collection in the Metropolitan Museum of Art /$cWen C. Fong.
246 30 $aLate-nineteenth- and twentieth-century Chinese paintings from the Robert H. Ellsworth collection in the Metropolitan Museum of Art
246 3 $aLate 19th- and 20th-century Chinese paintings from the Robert H. Ellsworth collection in the Metropolitan Museum of Art
260 $aNew York :$bMetropolitan Museum of Art ;$aNew Haven :$bYale University Press [distributor],$c[2001], ©2001.
300 $axi, 286 pages :$billustrations (some color), map ;$c31 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
500 $aPublished in conjunction with an exhibition held at the Metropolitan Museum of Art, New York, Jan. 30-Aug. 19, 2001.
504 $aIncludes bibliographical references (p. 269-279) and index.
505 00 $tMap of China --$tIntroduction: East Meets West --$g1.$tPainters in Shanghai and Guangdong --$g2.$tThe Westernizers --$g3.$tThree Great Traditionalists --$g4.$tMainland Chinese Painting, 1950s-1980s --$tEpilogue: Reflections on Chinese Art and History.
520 1 $a"Between Two Cultures, by Wen C. Fong, based on a selection of modern Chinese paintings from the Robert H. Ellsworth Collection in The Metropolitan Museum of Art, explores the crucial period from the 1860s to about 1980, when Chinese painting was transformed into a modern expression of its classical heritage. Unlike classical Chinese painting dating from before 1860, which has commanded in-depth study from a learned and sophisticated audience in the West, modern Chinese painting has been little explored.
520 8 $aThe first comprehensive assemblage in the West of paintings on this subject, the Robert H. Ellsworth Collection comprises works in the classical Chinese medium of ink on paper and in the traditional formats of scrolls, album leaves, and fans."--BOOK JACKET.
650 0 $aPainting, Chinese$y20th century$vCatalogs.$0http://id.loc.gov/authorities/subjects/sh2008108799
650 0 $aPainting, Chinese$yMing-Qing dynasties, 1368-1912$vCatalogs.$0http://id.loc.gov/authorities/subjects/sh2008108800
650 0 $aPainting$zNew York (State)$zNew York$vCatalogs.$0http://id.loc.gov/authorities/subjects/sh2008108797
600 10 $aEllsworth, Robert Hatfield,$d1929-2014$xArt collections$vCatalogs.
610 20 $aMetropolitan Museum of Art (New York, N.Y.)$vCatalogs.
710 2 $aMetropolitan Museum of Art (New York, N.Y.)$0http://id.loc.gov/authorities/names/n79129629
852 80 $bfax$hND1044$iF73