| Record ID | marc_columbia/Columbia-extract-20221130-007.mrc:166324099:2687 |
| Source | marc_columbia |
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LEADER: 02687mam a22003614a 4500
001 3144352
005 20221019232659.0
008 010201t20022002nju b 001 0 eng
010 $a 2001021989
020 $a0691086664 (alk. paper)
035 $a(OCoLC)ocm45951624
035 $9ATY0953CU
035 $a3144352
040 $aDLC$cDLC$dC#P$dOrLoB-B
043 $ae------$aff-----$aaw-----
050 00 $aPA185$b.E39 2002
082 00 $a880/$221.09
100 1 $aEdwards, Mark W.$0http://id.loc.gov/authorities/names/n2018017761
245 10 $aSound, sense, and rhythm :$blistening to Greek and Latin poetry /$cMark W. Edwards.
260 $aPrinceton, N.J. :$bPrinceton University Press,$c[2002], ©2002.
300 $axi, 191 pages ;$c25 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
490 1 $aMartin classical lectures. New series
504 $aIncludes bibliographical references (p. [179]-187) and index.
505 00 $gCh. 1.$tHomer I: Poetry and Speech.$tThe Older Discoveries: Frankel and Parry.$tThe New Theories: Functional Grammar and the Grammar of Speech.$tHomeric Style in Tennyson's Morte d'Arthur.$tHomeric Style in the Duels of Achilles --$gCh. 2.$tHomer II: Scenes and Summaries.$tThe Book Divisions.$tThe Paragraph Divisions.$tJoining Episode to Episode.$tContinuity and Oral Poetics --$gCh. 3.$tMusic and Meaning in Three Songs of Aeschylus.$tThe First Choral Song (Agamemnon 104-257).$tThe Second Choral Song (Agamemnon 367-488).$tThe Third Choral Song (Agamemnon 681-781).$tThe Rest of the Agamemnon, and of the Trilogy --$gCh. 4.$tPoetry in the Latin Language.$tLatin Word Order.$tAmbiguity in Latin Verse.$tProperties 1.19.$gApp. A.$tTennyson's Morte d'Arthur --$gApp. B.$tContinuity in Mrs. Dalloway --$gApp. C.$tThe Performance of Homeric Episodes --$gApp. D.$tClassical Meters in Modern English Verse.
520 1 $a"Sound, Sense, and Rhythm concerns the way we read - or rather, imagine we are listening to - ancient Greek and Latin poetry. Through clear and penetrating analysis Mark Edwards shows how an understanding of the effects of word order and meter is vital for appreciating the meaning of classical poetry, composed for listening audiences."--BOOK JACKET.
650 0 $aClassical languages$xMetrics and rhythmics.$0http://id.loc.gov/authorities/subjects/sh2009120356
650 0 $aClassical poetry$xHistory and criticism.$0http://id.loc.gov/authorities/subjects/sh2008101125
650 0 $aOral communication$zGreece.
650 0 $aOral communication$zRome.
830 0 $aMartin classical lectures (Unnumbered).$nNew series.$0http://id.loc.gov/authorities/names/n98035482
852 00 $bglx$hPA185$i.E39 2002