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MARC Record from marc_columbia

Record ID marc_columbia/Columbia-extract-20221130-007.mrc:172291184:5363
Source marc_columbia
Download Link /show-records/marc_columbia/Columbia-extract-20221130-007.mrc:172291184:5363?format=raw

LEADER: 05363mam a2200433 a 4500
001 3149476
005 20221019233457.0
008 010419s2001 nyu b 001 0 eng
010 $a 2001031734
020 $a0312238371$z0312238271
035 $a(OCoLC)ocm46858198
035 $9ATY7090CU
035 $a3149476
040 $aDLC$cDLC$dC#P$dOrLoB-B
043 $an-us---
050 00 $aPS374.E95$bC67 2001
082 00 $a813/.540911$221
100 1 $aCornis-Pope, Marcel.$0http://id.loc.gov/authorities/names/n82106043
245 10 $aNarrative innovation and cultural rewriting in the Cold War and after /$cMarcel Cornis-Pope.
250 $a1st ed.
260 $aNew York :$bPalgrave,$c2001.
300 $axiii, 318 pages ;$c25 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
504 $aIncludes bibliographical references (p. [283]-304) and index.
505 00 $gCh. 1.$tPostmodernism's Polytropic Imagination: Unwriting/Rewriting the Cold War Narratives of Polarization.$g1.$tSaying "Poh! to Simple Quadrilaterals": Innovative Fiction and the Quest for an Alternative Narrative and Cultural Imagination.$g2.$tLearning to Live with Postmodernism's Subversive Demon: From an Agonistic to a Transactive Model of Narrative Innovation.$g3.$tRewriting History's "Ghoststories": The Bifurcated Focus of Innovative Fiction.$g4.$tInnovative Fiction in the Post-Cold War Transition: Charting a Course beyond the Master Plots of Globalization and "End of History" --$gCh. 2.$tInnovative Responses to the Metanarratives of Modern History: Polysystemic Fiction, Surfiction and the Postmodern Feminist Novel.$g1.$tWhen the "Mystery of Reason" Confronts the "Mystery of Desire": The Rearticulation of History in Polysystemic Fiction.$g2.$tNarrative as an "Interventive" Mode: From Surfiction to Avant-Pop.
505 80 $g3.$tRevisionistic Narratives from the Interstices of the Cold War: Postmodern Feminist Fiction --$gCh. 3.$t"Chain of Links" or "Disorderly Tangle of Lines"? Alternative Cartographies of Modernity in Thomas Pynchon's Fiction.$g1.$t"Wreck[ing] the Elegant Rooms of History": Pynchon's Polysystemic Revisions of History from the Enlightenment to the Cold War.$g2.$tFrom Paternalistic Orders to Dissonant Worlds of Sons and Daughters: V. and The Crying of Lot 49.$g3.$tBreaking Out of the "Fussy Biedermeier Strangulation" of Western Thought: Marginocentric Characters and Projects in Gravity's Rainbow.$g4.$tNarrative Transgression and Rearticulation in the Age of Global Networks: Vineland.$g5.$tSurveying Modernity's "Crimes of Demarcation": Revisionistic Cartographies in Pynchon's (Post-)Colonial Epic Mason & Dixon --$gCh. 4.$tInterventive Writing in the "Post-Human" Age: Experiential and Cultural Rearticulation in Roland Sukenick's Fiction.
505 80 $g1.$tRealigning the Truth of Experience with the Truth of the Page: Sukenick's Generative Concept of Fiction.$g2.$t"Cultivate the Unexpected": The Techniques of Improvisation and Metamorphosis.$g3.$t"Stream Language" vs. Mimetic Language: The Benefits and Failings of an Experiential Poetics.$g4.$t"The Mute Articulation of the Conditions We Live In"$g5.$t"Repatriating" Fiction from the "Realm of Determinism to that of Potential": A Dialectic of Unwriting/Rewriting --$gCh. 5.$tNarrative (Dis-)Articulation in the "Shadowbox" of History: Raymond Federman's Exploratory Surfiction.$g1.$tFiction under the Sign of Saturn: Reimagined Truth vs. Factual Verisimilitude.$g2.$tHow to Re-Place Life: Revisionistic Strategies of Storytelling.$g3.$tExtricating a "Real-Fictitious" Story from the Jumble of Postwar History: Federman's Existential and Cultural Explorations.$g4.$tImagining the Story Properly: Freedom of Invention vs. Narrative Closure.$g5.$t"Exile[d] into this Recitation": Voices vs. Texts --
505 80 $gCh. 6.$tTranslating a History of "Unspeakable" Otherness into a Discourse of Empowered "Choices": Toni Morrison's Novels of Radical Rememory.$g1.$t"Rip[ping] the Veil" of Color and Gender: Black Women's Search for Subjecthood in The Bluest Eye and Sula.$g2.$tInterrogating Oppositional Paradigms: Hybrid Identities and Ethnic Histories in Song of Solomon and Tar Baby.$g3.$t"Unspeakable Thoughts" Spoken: Reclaiming the Other's History in Beloved.$g4.$tThe Past Is Not a Repetitive Record: The Remaking of African American History from the Great Migrations to the Civil Rights Era (Jazz and Paradise).$tEpilogue: Exploring the Ignored Outskirts of the Art of Telling: Innovative Fiction at the Turn of the Millennium.
650 0 $aAmerican fiction$y20th century$xHistory and criticism.$0http://id.loc.gov/authorities/subjects/sh2007100687
650 0 $aExperimental fiction, American$xHistory and criticism.$0http://id.loc.gov/authorities/subjects/sh2008103431
600 10 $aPynchon, Thomas$xCriticism and interpretation.
600 10 $aSukenick, Ronald$xCriticism and interpretation.
600 10 $aFederman, Raymond$xCriticism and interpretation.
600 10 $aMorrison, Toni$xCriticism and interpretation.
650 0 $aPostmodernism (Literature)$zUnited States.$0http://id.loc.gov/authorities/subjects/sh2008109613
650 0 $aCold War in literature.$0http://id.loc.gov/authorities/subjects/sh94003689
650 0 $aNarration (Rhetoric)$0http://id.loc.gov/authorities/subjects/sh85089833
852 00 $bglx$hPS374.E95$iC67 2001