Record ID | marc_columbia/Columbia-extract-20221130-007.mrc:199335258:1386 |
Source | marc_columbia |
Download Link | /show-records/marc_columbia/Columbia-extract-20221130-007.mrc:199335258:1386?format=raw |
LEADER: 01386mam a2200325 a 4500
001 3172468
005 20221020001244.0
008 011022t20012001enka b 001 0 eng d
020 $a0719059186
020 $a0719059194 (pbk.)
035 $a(OCoLC)46809138
035 $a(OCoLC)ocm46809138
035 $9AUB4008CU
035 $a(NNC)3172468
035 $a3172468
040 $aNNFr$cNNFr
090 $a[213[H67b51r
245 00 $aHogarth :$brepresenting nature's machine /$cedited by David Bindman, Frédéric Ogée and Peter Wagner.
260 $aManchester ;$aNew York :$bManchester University Press,$c[2001], ©2001.
300 $a287 pages :$billustrations ;$c25 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
490 1 $aThe Barber Institute's critical perspectives in art history series
504 $aIncludes bibliographical references (p. 264-280) and index.
600 10 $aHogarth, William,$d1697-1764$xCriticism and interpretation.
700 1 $aBindman, David.$0http://id.loc.gov/authorities/names/no2004023252
700 1 $aOgée, Frédéric.$0http://id.loc.gov/authorities/names/no98082217
700 1 $aWagner, Peter,$d1949-$0http://id.loc.gov/authorities/names/n85374862
830 0 $aBarber Institute's critical perspectives in art history series.$0http://id.loc.gov/authorities/names/n99055373
852 80 $bfax$hND497 H67$iH6799