| Record ID | marc_columbia/Columbia-extract-20221130-007.mrc:222964745:3693 |
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LEADER: 03693mam a2200445 a 4500
001 3191641
005 20221020004929.0
008 020131t20012001nbua b 001 0 eng
010 $a 2001027555
020 $a080323564X (cloth : alk. paper)
035 $a(OCoLC)46640873
035 $a(OCoLC)ocm46640873
035 $9AUF1106CU
035 $a(NNC)3191641
035 $a3191641
040 $aDLC$cDLC$dCStRLIN$dNNHeb$dOrLoB-B
042 $apcc
050 00 $aN7415$b.O45 2001
082 00 $a704.03/924$221
090 $a[N[7415[.O45[2001
100 1 $aOlin, Margaret Rose,$d1948-$0http://id.loc.gov/authorities/names/n91012403
245 14 $aThe nation without art :$bexamining modern discourses on Jewish art /$cMargaret Olin.
260 $aLincoln, NE :$bUniversity of Nebraska Press,$c[2001], ©2001.
300 $axxvii, 275 pages :$billustrations ;$c24 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
490 1 $aTexts and contexts
504 $aIncludes bibliographical references and index.
505 00 $tPreface: Reflections from Vienna --$gPt. 1.$tDefining Jewish Art.$g1.$tJewish Art Defined: From Bezalel to Max Liebermann.$g2.$tThe Nation with Art? Bezalel in Palestine --$gPt. 2.$tReclaiming Jewish Art.$g3.$tDavid Kaufmann's Studies in Jewish Art: Die (Kunst)Wissenschaft des Judentums.$g4.$tMartin Buber: Jewish Art As Visual Redemption.$g5.$t"Jewish Christians" and "Early Christian" Synagogues: The Discovery at Dura-Europos and Its Aftermath --$gPt. 3.$tAbstaining from Jewish Art.$g6.$tC(lement) Hardesh (Greenberg): Formal Criticism and Jewish Identity.$g7.$tGraven Images on Video? The Second Commandment and Contemporary Jewish Identity.
520 1 $a"Looking through the history of art, a reader might conclude that Jews could not create art - and such an assumption, historically incorrect, would be no accident. As we see with disturbing clarity in this book, the discipline of art history - even the first scholarly studies of Jewish works of art - encourages the idea of the nonartistic Jew.
520 8 $aCovering the last two centuries, The Nation without Art illuminates the rise of the paradigm of the nonartistic Jew and expresses the ways in which theorists, critics, and artists have sought to subvert, over-come, or work within it.".
520 8 $a"Case studies explore the Bezalel School of Arts and Crafts in Jerusalem, whose efforts to use art to create a Jewish nationality in Palestine raise important issues of national identity, and the discovery in 1932 of the third-century Synagogue of Dura Europos, a symbol for scholars struggling against the Third Reich.
520 8 $aAmong those who supported or challenged concepts of Jewish art, Margaret Olin considers the nineteenth-century rabbinical scholar David Kaufmann, the philosopher Martin Buber, the critic Clement Greenberg, and the filmmaker Chantal Akerman.
520 8 $aOlin's work broadens our understanding of the relation of Jews to the visual image, critiques the nationalist, ethnocentric paradigms of current disciplines, and offers insight into the tenacious art historical discourses that thinkers must inhabit uncomfortably or escape with considerable difficulty."--BOOK JACKET.
650 0 $aJewish art.$0http://id.loc.gov/authorities/subjects/sh85007739
650 0 $aJudaism in art.$0http://id.loc.gov/authorities/subjects/sh97001967
650 0 $aArt$xHistoriography.$0http://id.loc.gov/authorities/subjects/sh85007487
650 0 $aJews$xIdentity.$0http://id.loc.gov/authorities/subjects/sh85070419
830 0 $aTexts and contexts (Unnumbered)$0http://id.loc.gov/authorities/names/no98083324
852 80 $bfax$hN6538$iOL33