MARC Record from marc_columbia

LEADER: 02163mam a22003014a 4500
001 3197988
005 20221020010107.0
008 011212t20022002ilu b 001 0 eng
010 $a 2001059315
020 $a0812695003 (pbk. : alk. paper)
035 $a(OCoLC)ocm48620278
035 $9AUF9438CU
035 $a3197988
040 $aDLC$cDLC$dC#P$dOrLoB-B
042 $apcc
050 00 $aML3534$b.M411 2002
082 00 $a781.66$221
100 1 $aMartin, Bill,$d1956-$0http://id.loc.gov/authorities/names/n91050197
245 10 $aAvant rock :$bexperimental music from the Beatles to Björk /$cBill Martin ; with a foreword by Robert Fripp.
260 $aChicago :$bOpen Court,$c[2002], ©2002.
300 $axvi, 269 pages ;$c23 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
504 $aIncludes bibliographical references (p. 251-257) and index.
505 00 $tForeword /$rRobert Fripp --$gPt. 1.$tPractices, modalities.$tSynthesis and new vocabularies.$tWhen John met Yoko: the Beatles come apart.$tDeconstruction of the European classical tradition: John Cage and Glenn Gould.$tBlues into fragments: John Coltrane and Cecil Taylor.$tElectric Miles --$gPt. 2.$tForests and trees.$tNoisy New York: the Velvet Underground.$tPsychedelic blues: Jimi Hendrix.$tThe passage through progressive.$tIntimations of postmodern rock: Steely Dan.$tThe passage through punk.$tPunk meets the Godmother: Patti Smith.$tFunk beyond the Godfather: George Clinton and P-Funk.$tProgressive times punk equals new wave.$tBefore and after Eno.$tThe transition to post-rock.$tSymphonies of hellacious electric guitars: Glenn Branca.$tSonic truth.$tThe Laswell/Zorn nexus.$tAvant-retro: Stereolab.$tMom, can I take turntable lessons? or, Nobody here but me and my sampler.$tKing Crimson exists when there is King Crimson music to be played.$tLand of the rising noise.$tBjork, Jim O'Rourke, and beyond --
505 80 $gPt. 3.$tRock out.$g1.$tManifesto: Avant rock, the very idea.$g2.$tRock music in postmodern times.
650 0 $aRock music$xHistory and criticism.$0http://id.loc.gov/authorities/subjects/sh2008110977
852 00 $bmus$hML3534$i.M411 2002