MARC Record from marc_columbia

LEADER: 03485mam a2200385 a 4500
001 3272530
005 20221020022850.0
008 011030t20022002paua b 001 0 eng
010 $a 2001052769
020 $a0838755127 (alk. paper)
035 $a(OCoLC)ocm48383457
035 $9AUQ3756CU
035 $a3272530
040 $aDLC$cDLC$dYDX$dOrLoB-B
043 $ae-uk-en
050 00 $aPR708.C4$bK56 2002
082 00 $a792/.09421/09033$221
100 1 $aKinservik, Matthew J.,$d1967-$0http://id.loc.gov/authorities/names/n2001152846
245 10 $aDisciplining satire :$bthe censorship of satiric comedy on the eighteenth-century London stage /$cMatthew J. Kinservik.
260 $aLewisburg [Pa.] :$bBucknell University Press ;$aLondon :$bAssociated University Presses,$c[2002], ©2002.
300 $a301 pages :$billustrations ;$c25 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
504 $aIncludes bibliographical references (p. 258-290) and index.
505 00 $g1.$tA Regulated and Regulating Stage: Satiric Comedy and Censorship in the Early Eighteenth Century.$tThe Pejorative Definition of "Satire"$tPoetic Justice and the "Observation of a strict Stage-Discipline"$tSympathetic Satire.$tThe Royal Court Versus the Law Courts --$g2.$tFielding and the Politics of Satire, 1728-1737.$tThe Politicization of Satire and Censorship: 1728.$tFielding's Satiric Drama, 1730-1735.$tThe Great Mogul's Company at the Little Haymarket, 1736-1737 --$g3.$tThe Establishment of the Licensing Act and Its Effects on Satiric Drama, 1737-1747.$tThe Prohibitive Effects of the Licensing Act.$tThe Productive Effects of the Licensing Act.$tThe Suspicious Husband and New Directions in Satiric Comedy --$g4.$tPerforming Aristophanes: Foote and the Resurgence of Personal Satire, 1747-1776.$tFoote's Mimicry.$tCensorship, Mimicry, and Foote's Satiric Practice, 1751-1765.$tRoyal Patentee, 1766-1777.$tFoote and the "Problem" of Sympathy --$g5.$tMacklin and the New Satire, 1746-1781.
505 80 $tMacklin's Early Approaches to Satire, 1746-1761.$tThe Censorship of The Man of the World.$tThe Spoild Child.$tThe New Satire at the end of the Eighteenth Century.$gApp.$tThe Spoild Child.
520 1 $a"This book examines the effects of the Stage Licensing Act of 1737 on its main target, satiric comedy. The Licensing Act is generally considered to have been a significant and repressive censorship law (it was not repealed until 1968), but very little is known about how it actually worked and what effects it had on satiric comedy.
520 8 $aFocusing on the playwriting careers of Henry Fielding, Samuel Foote, and Charles Macklin, the three most controversial and heavily censored satiric dramatists of the century, Disciplining Satire pays particular attention to what type of satiric expression the law encouraged, not just to what it prohibited."--BOOK JACKET.
650 0 $aEnglish drama$y18th century$xHistory and criticism.$0http://id.loc.gov/authorities/subjects/sh2008103088
650 0 $aTheater$xCensorship$zEngland$zLondon$xHistory$y18th century.
650 0 $aDrama$xCensorship$zEngland$zLondon$xHistory$y18th century.
650 0 $aCensorship$zEngland$xHistory$y18th century.
650 0 $aEnglish drama (Comedy)$xHistory and criticism.$0http://id.loc.gov/authorities/subjects/sh2008103084
650 0 $aSatire, English$xHistory and criticism.$0http://id.loc.gov/authorities/subjects/sh2008111191
852 00 $bglx$hPR708.C4$iK56 2002