Record ID | marc_columbia/Columbia-extract-20221130-007.mrc:278510503:2404 |
Source | marc_columbia |
Download Link | /show-records/marc_columbia/Columbia-extract-20221130-007.mrc:278510503:2404?format=raw |
LEADER: 02404fam a22003854a 4500
001 3283599
005 20221020025228.0
008 011205s2002 nyuac b 001 0deng
010 $a 2001056610
020 $a0810912279
035 $a(OCoLC)48588962
035 $a(OCoLC)ocm48588962
035 $9AUR6950CU
035 $a(NNC)3283599
035 $a3283599
040 $aDLC$cDLC$dNNC$dOrLoB-B
042 $apcc
050 00 $aN6537.C66$bW343 2002
082 00 $a730/.92$221
100 1 $aWaldman, Diane.$0http://id.loc.gov/authorities/names/n80005074
245 10 $aJoseph Cornell :$bmaster of dreams /$cDiane Waldman.
260 $aNew York :$bHarry N. Abrams,$c2002.
263 $a0205
300 $a152 pages :$billustrations, portraits ;$c31 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
504 $aIncludes bibliographical references and index.
520 1 $a"Out of the fantasies that enriched a private, often reclusive life, Joseph Cornell created a "poetic theater of memory." His box constructions and collages feature such characters as a Medici princess, birds, ballerinas, and movie stars.
520 8 $aUsing the seemingly commonplace materials that he collected in five-and-dime stores and other shops in New York City - cordial glasses, mirrors, marbles, and maps among them - along with clippings from books and magazines, childhood games, and Victorian illustrations, Cornell beckons us into a world at once distantly magical and tantalizingly, nostalgically "home."".
520 8 $a"Diane Waldman first met Cornell in 1963, when she was writing her master of fine arts' thesis on the subject of his art, and their friendship continued until his death. Over the years, Waldman has written often about Cornell, adding to the analysis of his art her own personal knowledge gained from interviews with the artist and his family as well as Cornell's letters and papers.
520 8 $aIn this volume she probes Cornell's elusive imagery in his earliest Surrealist-inspired collages of the 1930s, his masterful box constructions of the 1940s and 1950s, his experimental films, and his final collages in his last years."--BOOK JACKET.
600 10 $aCornell, Joseph$xCriticism and interpretation.
700 1 $aCornell, Joseph.$0http://id.loc.gov/authorities/names/n50016406
852 00 $bbar$hN6537.C66$iW343 2002
852 80 $bfax$hND239 C81$iW14