| Record ID | marc_columbia/Columbia-extract-20221130-007.mrc:289807836:2912 |
| Source | marc_columbia |
| Download Link | /show-records/marc_columbia/Columbia-extract-20221130-007.mrc:289807836:2912?format=raw |
LEADER: 02912mam a22003974a 4500
001 3292236
005 20221020030946.0
008 011203t20022002txua bc 001 0 eng
010 $a 2001099024
020 $a0300093608
035 $a(OCoLC)50014837
035 $a(OCoLC)ocm50014837
035 $9AUS8059CU
035 $a(NNC)3292236
035 $a3292236
040 $aDLC$cDLC$dDLC$dOrLoB-B
042 $apcc
050 00 $aTR647$b.S882 2002
082 00 $a779/.092$221
100 1 $aStruth, Thomas,$d1954-$0http://id.loc.gov/authorities/names/n88075589
245 10 $aThomas Struth, 1977-2002 /$cessays by Douglas Eklund [and others].
260 $aDallas :$bDallas Museum of Art,$c[2002], ©2002.
300 $a189 pages :$billustrations (some color) ;$c31 x 32 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
504 $aIncludes bibliographical references (p. 183-186) and index.
520 1 $a"Photographer Thomas Struth (b. 1954), one of the most intriguing, challenging, and gifted artists to emerge from Europe in the past two decades, has created a beautiful and distinctive body of images depicting the world - its buildings, people, society, and culture - in its present moment of perpetual change.
520 8 $aUnlike many of his contemporaries who have investigated photography's fictional potential, Struth has adhered to a straightforward yet formally refined approach that makes his viewers become aware of their world in often entirely new ways.".
520 8 $a"This catalogue is the first to encompass Struth's entire body of work, dating from the late 1970's to the early 2000's. His early black-and-white photographs of deserted city streets, his psychologically penetrating portraits of individuals and families, his renowned "museum pictures," and his large-format color landscapes of nature and industry from around the globe are all represented in this unsurpassed collection of images.
520 8 $aEngaging essays by well known photography and art experts chronicle Thomas Struth's career: Charles Wylie examines the development of Struth's art and places him in the context of photographic history of the last century; Maria Morris Hambourg and Douglas Eklund review the artist's aesthetic and intellectual influences and maturation; and Ann Goldstein investigates the role portraiture has played in Struth's art.
520 8 $aThis survey attests to the unmistakable importance of his photographs and his valued place in the history of photography and contemporary art."--BOOK JACKET.
650 0 $aPhotography, Artistic$vExhibitions.$0http://id.loc.gov/authorities/subjects/sh2008108790
600 10 $aStruth, Thomas,$d1954-$vExhibitions.
700 1 $aEklund, Douglas.$0http://id.loc.gov/authorities/names/no00063932
710 2 $aDallas Museum of Art.$0http://id.loc.gov/authorities/names/n84018765
852 80 $bfax$hNH32 St88$iT36