| Record ID | marc_columbia/Columbia-extract-20221130-007.mrc:298385134:3240 |
| Source | marc_columbia |
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LEADER: 03240mam a22003974a 4500
001 3299344
005 20221020032500.0
008 010913t20022002iluag b s001 0 eng
010 $a 2001005639
015 $aGBA2-X4650
020 $a025202740X (alk. paper)
035 $a(OCoLC)ocm47973275
035 $9AUT7006CU
035 $a3299344
040 $aDLC$cDLC$dUKM$dC#P$dOrLoB-B
042 $apcc
050 00 $aML63$b.Q44 2002
082 00 $a780/.86/64$221
245 00 $aQueer episodes in music and modern identity /$cedited by Sophie Fuller and Lloyd Whitesell.
260 $aUrbana :$bUniversity of Illinois Press,$c[2002], ©2002.
300 $aviii, 324 pages :$billustrations, music ;$c24 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
504 $aIncludes bibliographical references and index.
505 00 $tIntroduction: Secret Passages /$rSophie Fuller and Lloyd Whitesell --$g1.$t"Desire Is Consuming Me": The Life Partnership between Eugenie Schumann and Marie Fillunger /$rEva Rieger --$g2.$tRavel's Way /$rLloyd Whitesell --$g3.$t"Devoted Attention": Looking for Lesbian Musicians in Fin-de-Siecle Britain /$rSophie Fuller --$g4.$t"He Isn't a Marrying Man": Gender and Sexuality in the Repertoire of Male Impersonators, 1870-1930 /$rGillian Rodger --$g5.$tTchaikovsky and His Music in Anglo-American Criticism, 1890s-1930 /$rMalcolm Hamrick Brown --$g6.$tTranscription, Transgression, and the (Pro)creative Urge /$rIvan Raykoff --$g7.$tMusicology and Sexuality: The Example of Edward J. Dent /$rPhilip Brett --$g8.$tCross-Dressing in Saint-Saens's Le Rouet d'Omphale: Ambiguities of Gender and Politics /$rJann Pasler --$g9.$tThe "Dark Saying" of the Enigma: Homoeroticism and the Elgarian Paradox /$rByron Adams --
505 80 $g10.$t"An Anthology of Friendship": The Letters from John Ireland to Father Kenneth Thompson /$rFiona Richards --$g11.$tTristan's Wounds: On Homosexual Wagnerians at the Fin de Siecle /$rMitchell Morris --$g12.$tWhen Subjects Don't Come Out /$rSherrie Tucker.
520 1 $a"Queer Episodes in Music and Modern Identity approaches modern sexuality by way of music.
520 8 $aThrough the hidden or lost Stories of composers, scholars, patrons, performers, audiences, repertoire, venues, and specific works, this volume explores points of intersection between music and queerness in Europe and the United States from 1870 to 1950 - a period during which dramatic changes in musical expression and in the expression of individual sexual identity played similar roles in washing away the certainties of the past."--BOOK JACKET.
650 0 $aHomosexuality and music.$0http://id.loc.gov/authorities/subjects/sh93001306
650 0 $aGay musicians.$0http://id.loc.gov/authorities/subjects/sh92005810
650 0 $aMusic$y19th century$xHistory and criticism.$0http://id.loc.gov/authorities/subjects/sh2001000179
650 0 $aMusic$y20th century$xHistory and criticism.$0http://id.loc.gov/authorities/subjects/sh2001000180
700 1 $aFuller, Sophie.$0http://id.loc.gov/authorities/names/no95004533
700 1 $aWhitesell, Lloyd.$0http://id.loc.gov/authorities/names/n2001082106
852 00 $boff,mus$hML63$i.Q44 2002
852 00 $bbar$hML63$i.Q44 2002