| Record ID | marc_columbia/Columbia-extract-20221130-007.mrc:302101977:1377 |
| Source | marc_columbia |
| Download Link | /show-records/marc_columbia/Columbia-extract-20221130-007.mrc:302101977:1377?format=raw |
LEADER: 01377mam a22003374a 4500
001 3302394
005 20221020033051.0
008 010803s2002 enkg b 001 0 eng
010 $a 2001043313
020 $a0521807387
035 $a(OCoLC)ocm47755801
035 $9AUU1428CU
035 $a(NNC)3302394
035 $a3302394
040 $aDLC$cDLC$dC#P
042 $apcc
050 00 $aML3845$b.M87 2002
082 00 $a784.18/93$221
100 1 $aMorris, Christopher,$d1966-$0http://id.loc.gov/authorities/names/n2001079460
245 10 $aReading opera between the lines :$borchestral interludes and cultural meaning from Wagner to Berg /$cChristopher Morris.
260 $aCambridge, U.K. ;$aNew York :$bCambridge University Press,$c2002.
300 $axi, 219 pages :$bmusic ;$c24 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
490 1 $aNew perspectives in music history and criticism
504 $aIncludes bibliographical references (p. 208-215) and index.
650 0 $aMusic$xPhilosophy and aesthetics.$0http://id.loc.gov/authorities/subjects/sh85088808
650 0 $aEntr'acte music$xHistory and criticism.
650 0 $aOpera.$0http://id.loc.gov/authorities/subjects/sh85094900
830 0 $aNew perspectives in music history and criticism.$0http://id.loc.gov/authorities/names/n93107873
852 00 $boff,mus$hML3845$i.M87 2002