| Record ID | marc_columbia/Columbia-extract-20221130-007.mrc:304081306:1031 |
| Source | marc_columbia |
| Download Link | /show-records/marc_columbia/Columbia-extract-20221130-007.mrc:304081306:1031?format=raw |
LEADER: 01031mam a2200301 4500
001 3303823
005 20221020033518.0
008 020709s2002 enka b 001 0 eng d
020 $a0853235384 (paper)
020 $a0853235287 (cased)
035 $a(OCoLC)48884796
035 $a(OCoLC)ocm48884796
035 $9AUU3107CU
035 $a(NNC)3303823
035 $a3303823
040 $aNhCcYBP$cNhCcYBP$dNNC
050 4 $aML3790$b.B87 2002
082 04 $a780.23
245 04 $aThe business of music /$cEdited by Michael Talbot.
260 $aLiverpool :$bLiverpool University Press,$c2002.
300 $aix, 320 pages ;$c25 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
490 1 $aLiverpool Music Symposium (Series) ;$v2
650 0 $aMusic trade$xHistory$vCongresses.
700 1 $aTalbot, Michael,$d1943-$0http://id.loc.gov/authorities/names/n79012507
830 0 $aLiverpool Music Symposium (Series) ;$v2.$0http://id.loc.gov/authorities/names/n2001082337
852 00 $boff,mus$hML3790$i.B87 2002g