MARC Record from marc_columbia

LEADER: 05113mam a22004574a 4500
001 3320365
005 20221020041031.0
008 010816t20022002inuacg b s001 0deng
010 $a 2001005133
020 $a0253338182 (cloth : alk. paper)
035 $a(OCoLC)ocm47805003
035 $9AUW6918CU
035 $a(NNC)3320365
035 $a3320365
040 $aDLC$cDLC$dC#P$dNNC$dOrLoB-B
041 1 $aeng$hrus
042 $apcc
043 $ae-ur---
050 00 $aML197$b.S2627 2002
082 00 $a780/.92$221
100 1 $aSchnittke, Alfred,$d1934-1998.$0http://id.loc.gov/authorities/names/n79120245
245 12 $aA Schnittke reader /$cAlfred Schnittke ; edited by Alexander Ivashkin ; translated by John Goodliffe ; with a foreword by Mstislav Rostropovich.
260 $aBloomington :$bIndiana University Press,$c[2002], ©2002.
300 $axxv, 268 pages :$billustrations, portrait, music ;$c27 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
490 1 $aRussian music studies (Bloomington, Ind.)
504 $aIncludes bibliographical references and index.
505 00 $tForeword /$rMstislav Rostropovich --$gI.$tSchnittke Speaks about Himself.$g1.$tFrom Conversations with Alexander Ivashkin (1985-1994) --$gII.$tSchnittke on the Lenin Prize.$g2.$tLetter to the Lenin Prize Committee (1990) --$gIII.$tSchnittke on His Own Compositions.$g3.$tOn Concerto Grosso No. 1 (late 1970s).$g4.$tOn the Fourth Symphony (1984).$g5.$tOn Film and Film Music (1972, 1984, 1989).$g6.$tOn Staging Tchaikovsky's The Queen of Spades (1977) --$gIV.$tSchnittke on Creative Artists.$g7.$tOn Shostakovich: Circles of Influence (1975).$g8.$tOn Prokofiev (1990).$g9.$tOn Gubaidulina (1970s).$g10.$tOn Kancheli (1982, 1991).$g11.$tIn Memory of Filip Moiseevich Gershkovich (1988).$g12.$tOn Sviatoslav Richter (1985).$g13.$tOn Gennadi Rozhdestvensky (1991).$g14.$tSubjective Notes on an Objective Performance (on Alexei Liubimov) (1973).$g15.$tOn Viktor Yerofeev (1988).$g16.$tOn the Paintings of Vladimir Yankilevsky (1987) --$gV.$tSchnittke on Twentieth-Century Music.
505 80 $g17.$tPolystylistic Tendencies in Modern Music (c. 1971).$g18.$tThe Orchestra and the New Music (early 1970s).$g19.$tThe Problem of Giving Outward Expression to a New Idea (1982).$g20.$tFrom Schnittke's Archive (1970s and 1980s).$g21.$tOn Jazz (1984).$g22.$tTimbral Relationships and Their Functional Use: The Timbral Scale (1970s).$g23.$tKlangfarbenmelodie - "Melody of Timbres" (1970s).$g24.$tFunctional Variability of Line in Orchestral Texture (1970s).$g25.$tA New Approach to Composition: The Statistical Method (1970s).$g26.$tStereophonic Tendencies in Modern Orchestral Thinking (1970s).$g27.$tUsing Rhythm to Overcome Meter (1970s).$g28.$tStatic Form: A New Conception of Time (1970s).$g29.$tParadox as a Feature of Stravinsky's Musical Logic (1973).$g30.$tTimbral Modulations in Bartok's Music for Strings, Percussion, and Celesta (1970s).$g31.$tThe Principle of Uninterrupted Timbral Affinities in Webern's Orchestration of Bach's Fuga (Ricercata) a 6 voci (1970s).
505 80 $g32.$tThe Third Movement of Berio's Sinfonia: Stylistic Counterpoint, Thematic and Formal Unity in Context of Polystylistics, Broadening the Concept of Thematicism (1970s).$g33.$tLigeti's Orchestral Micropolyphony (1970s) --$gVI.$tSchnittke as Seen by Others.$g34.$tGidon Kremer (1989).$g35.$tGennadi Rozhdestvensky (1989).$g36.$tVladimir Yankilevsky (1989).$g37.$tMstislav Rostropovich (1990).$g38.$tMark Lubotsky (1998).
520 1 $a"The compositions of Alfred Schnittke are known for their exquisite construction, their unlikely embrace of material from disparate sources, their predisposition for melancholia, and their tremendous beauty. But Schnittke was also a prolific writer on a wide variety of subjects. This compilation, the first English-language collection of Schnittke's writings, is one of the composer's last works.
520 8 $aIncluded, are previously published and never before-published essays on his own compositions; on other composers and performers such as Dmitri Shostakovich, Sergei Prokofiev, Sofia Gubaidulina, and Sviatoslav Richter; and on a broad range of topics in twentieth-century music. Reflections by some of Schnittke's contemporaries and an interview with cellist and scholar Alexander Ivashkin round out the volume.
520 8 $aAlways keenly perceptive, Schnittke's essays are generously illustrated with musical examples, many of them in the composer's own hand."--BOOK JACKET.
650 0 $aMusic$y20th century$xHistory and criticism.$0http://id.loc.gov/authorities/subjects/sh2001000180
600 10 $aSchnittke, Alfred,$d1934-1998$xCriticism and interpretation.
650 0 $aMusicians$zRussia (Federation)$vInterviews.
700 1 $aIvashkin, Alexander,$d1948-2014.$0http://id.loc.gov/authorities/names/n85278227
700 1 $aGoodliffe, J. D.$q(John Derek)$0http://id.loc.gov/authorities/names/n89645002
830 0 $aRussian music studies (Bloomington, Ind.)$0http://id.loc.gov/authorities/names/n90717038
852 00 $boff,mus$hML197$i.S2627 2002