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MARC Record from marc_columbia

Record ID marc_columbia/Columbia-extract-20221130-007.mrc:349819925:2861
Source marc_columbia
Download Link /show-records/marc_columbia/Columbia-extract-20221130-007.mrc:349819925:2861?format=raw

LEADER: 02861mam a2200433 a 4500
001 3348647
005 20221020045930.0
008 020930t20022002nyuac b 000 0deng
010 $a 2002002782
020 $a0892366419
035 $a(OCoLC)49225347
035 $a(OCoLC)ocm49225347
035 $9AVA2705CU
035 $a(NNC)3348647
035 $a3348647
040 $aDLC$cDLC$dCMalG$dTxFK$dOrLoB-B
050 00 $aND673.E6$bA65 2002
082 00 $a759.9493$221
090 $aND673.E5$bB47 2002
100 1 $aBerman, Patricia G.$0http://id.loc.gov/authorities/names/n85137944
245 10 $aJames Ensor :$bChrist's entry into Brussels in 1889 /$cPatricia G. Berman.
246 30 $aChrist's entry into Brussels in 1889
260 $aLos Angeles :$bJ. Paul Getty Museum,$c[2002], ©2002.
300 $a114 pages :$billustrations (some color), portraits ;$c21 x 28 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
490 1 $aGetty Museum studies on art
504 $aIncludes bibliographical references (p. 111-113).
505 00 $tA Painting and Its Paradoxes --$tThe City, the Street, and the Urban Spectacle --$tEnsor and the Belgian Art World --$tUnholy Alliances: The Politics of Church and State in Leopold's Belgium --$tThe Artist as Rebel and Redeemer --$t"A Kaleidoscope Gifted with Consciousness"
520 1 $a"The brash young artist James Ensor painted Christ's Entry into Brussels in 1889 during a period of extraordinary artistic and political foment in his native Belgium. It is understood today to be one of the most dazzling, innovative, and perplexing paintings created in Europe in the late nineteenth century, and it rivals any work of its period in audacity and ambition.
520 8 $aHuge in scale, complex in design and execution, and brimming with social commentary, the painting is one of the most challenging works in the Getty Museum's paintings collection. This book examines Christ's Entry in light of Belgium's rich artistic, social, political, and theological debates in the late nineteenth century, and in the context of James Ensor's exceptional career, in order to decipher some of the painting's messages and meanings."--BOOK JACKET.
600 10 $aEnsor, James,$d1860-1949.$tEntry of Christ into Brussels.$0http://id.loc.gov/authorities/names/n98069267
600 10 $aEnsor, James,$d1860-1949$xCriticism and interpretation.
600 00 $aJesus Christ$xArt.$0http://id.loc.gov/authorities/subjects/sh85069964
650 0 $aAllegories.$0http://id.loc.gov/authorities/subjects/sh85003641
700 1 $aEnsor, James,$d1860-1949.$0http://id.loc.gov/authorities/names/n50082924
710 2 $aJ. Paul Getty Museum.$0http://id.loc.gov/authorities/names/n79046211
830 0 $aGetty Museum studies on art.$0http://id.loc.gov/authorities/names/n86726245
852 80 $bfax$hND673 En7$iB45