MARC Record from marc_columbia

LEADER: 02190mam a2200421 a 4500
001 3028017
005 20221019200130.0
008 000713t20012001nyua b 001 0 eng
010 $a 00043679
020 $a0300088523 (hbk : alk. paper)
020 $a1887149066 (pbk : alk. paper)
035 $a(OCoLC)222837440
035 $a(OCoLC)ocn222837440
035 $9ATH7698CU
035 $a(NNC)3028017
035 $a3028017
040 $aDLC$cDLC$dOrLoB$dOrLoB-B
042 $apcc
043 $an-us-ct
050 00 $aND210.5.I4$bL37 2001
082 00 $a759.146/9$221
100 1 $aLarkin, Susan G.,$d1943-$0http://id.loc.gov/authorities/names/n91035254
245 14 $aThe Cos Cob art colony :$bImpressionists on the Connecticut shore /$cSusan G. Larkin.
260 $aNew York :$bNational Academy of Design ;$aNew Haven [Conn.] ;$aLondon :$bYale University Press,$c[2001], ©2001.
300 $axv, 246 pages :$billustrations (some color) ;$c27 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
504 $aIncludes bibliographical references (p. [222]-240) and index.
520 1 $a"What Argenteuil in the 1870s was to French Impressionism, Cos Cob between 1890 and 1920 was to American Impressionists Childe Hassam, Theodore Robinson, John H. Twachtman, J. Alden Weir, and their followers. These artists and writers came together to work in the modest Cos Cob section of Greenwich, Connecticut, testing new styles and new themes in the stimulating company of colleagues.
520 8 $aThis book is the first to examine the art colony at Cos Cob and the role it played in the development of American Impressionist art."--BOOK JACKET.
650 0 $aImpressionism (Art)$zConnecticut$zCos Cob.
650 0 $aArtist colonies$zConnecticut$zCos Cob.
651 0 $aCos Cob (Conn.)$xIn art.
650 0 $aPainting, American.$0http://id.loc.gov/authorities/subjects/sh85096685
650 0 $aPainting, American$y19th century.$0http://id.loc.gov/authorities/subjects/sh00010185
650 0 $aPainting, American$y20th century.$0http://id.loc.gov/authorities/subjects/sh85096806
852 80 $bfax$hND236 C76$iL32
852 00 $bbar,stor$hND210.5.I4$iL37 2001