MARC Record from marc_columbia

LEADER: 03114mam a22004094a 4500
001 3359271
005 20221020052437.0
008 020418s2002 nyua b 001 0 eng
010 $a 2002006142
020 $a0810934833
035 $a(OCoLC)49648266
035 $a(OCoLC)ocm49648266
035 $9AVB7810CU
035 $a(NNC)3359271
035 $a3359271
040 $aDLC$cDLC$dNNC$dOrLoB-B
042 $apcc
050 00 $aND196.P42$bM45 2002
082 00 $a759.06$221
100 1 $aMeisel, Louis K.$0http://id.loc.gov/authorities/names/n78064773
245 10 $aPhotorealism at the millennium /$cLouis K. Meisel, essay by Linda Chase.
260 $aNew York :$bHarry N. Abrams,$c2002.
263 $a0210
300 $a224 pages :$billustrations ;$c34 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
504 $aIncludes bibliographical references (p. 218-220) and index.
520 1 $a"The third volume in Louis K. Meisel's definitive series, Photorealism at the Millennium continues to document the evolution of the movement through the 1990s. More than 600 full-color images present the work of twenty-eight artists, from the pioneers through the second generation to the newcomers who will advance the movement into the 21st century.
520 8 $aThis work joins Photorealism (1980) and Photorealism since 1980 (1993) as a unique endeavor - a catalogue raisonne chronicling and recording almost every painting by every artist in a contemporary art movement.".
520 8 $a"In the early 1970s, Meisel began documenting the works of the original thirteen Photorealists. Many of these are still making significant contributions, as evidenced, for example, by Richard Estes's complex street scenes and waterscapes, Tom Blackwell's dazzling reflective storefronts, and John Salt's wistful rusting automobiles, all represented here.
520 8 $aAlthough always approached from a Photorealist point of view, the images depicted by these artists are staggeringly varied - Ralph Goings's diners, Richard McLean's horses, Linda Bacon's toys, Randy Dudley's industrial vistas, Ron Kleemann's Thanksgiving Day parade balloons, David Parrish's pop icons. Wherever possible, the complete works made by the artist in the 1990s are illustrated, and the rest are listed.
520 8 $aSuch a comprehensive approach makes this volume invaluable to scholars, collectors, and art historians." "In addition, an essay by Linda Chase is the first to fully consider Photorealism in the context of art history. Starting from the invention of photography and its almost immediate clash with "fine art," Chase examines how Photorealism developed as a response to such issues and to those raised by modernism, existentialism, and Pop art as well."--BOOK JACKET.
650 0 $aPhoto-realism.$0http://id.loc.gov/authorities/subjects/sh85101136
650 0 $aPainting, Modern$y20th century.$0http://id.loc.gov/authorities/subjects/sh85096801
700 1 $aChase, Linda.$0http://id.loc.gov/authorities/names/n2016011184
852 80 $bfax$hND212$iM47
852 00 $bbar$hND196.P42$iM45 2002