MARC Record from marc_columbia

LEADER: 03569mam a2200469 a 4500
001 3360619
005 20221020052849.0
008 020227t20022002caua bc 000 0 eng
010 $a 2002003301
020 $a0940872269 (pbk.)
020 $a1555952259 :
020 $c$45.00
035 $a(OCoLC)49225433
035 $a(OCoLC)ocm49225433
035 $a(CStRLIN)NHDGOCM49225433-B
035 $a(NhD)ocm49225433
035 $9AVB9519CU
035 $a(NNC)3360619
035 $a3360619
040 $aDLC$cDLC$dIG#$dOrLoB-B
042 $apcc
043 $an-us-ca
050 00 $aND230.C3$bS65 2002
100 1 $aSolon, Deborah Epstein.$0http://id.loc.gov/authorities/names/nr95014850
245 10 $aIn and out of California :$btravels of American Impressionists /$cby Deborah Epstein Solon; with an essay by Will South.
250 $a1st ed.
260 $aLaguna Beach, Calif. :$bLaguna Art Museum,$c[2002], ©2002.
300 $a151 pages :$bcolor illustrations ;$c30 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
504 $aIncludes bibliographical references.
505 00 $tForeword /$rBolton Colburn --$tAcknowledgments /$rDeborah Epstein Solon --$tThe Participatory Nature of Early California Art /$rWill South --$tIn and Out of California: Travels of American Impressionists /$rDeborah Epstein Solon --$tBiographies of the Artists /$rJanet Blake.
520 1 $a"In and Out of California: Travels of American Impressionists, published to accompany a traveling exhibition, is a revisionist study of artists working in California in the late nineteenth and early twentieth centuries. The book presents an array of radiant paintings by artists identified traditionally with the history of art in California. The essays by Deborah Epstein Solon and Dr.
520 8 $aWill South, however, establish that artists were "out" of California as much as they were "in" during this critical period in American painting. Artists living in California traveled and painted all over the world, often simultaneously maintaining studios in different areas of the country and even in Europe. Scores of artists who worked in California received the same training in academies in both Europe and the United States as those artists who settled in the East - yet their Eastern compatriots have been studied and lauded with a respect thus far denied their Western counterparts.
520 8 $aArtists working in California often experienced a two pronged disadvantage: they were either glorified by Western critics - occasionally unjustly - or summarily dismissed by the Eastern art establishment in an equally unjust fashion.".
520 8 $a"In and Out of California looks at artists working in California within the locus of American painting. By examining painters such as Alson Clark, Colin Campbell Cooper, E. Charlton Fortune, Jules Pages, and William Ritschel as part of the movement of American impressionism and not marginalized as merely Western painters, it becomes clear that many artists in California were highly trained, cosmopolitan, and as proficient as their Eastern counterparts."--BOOK JACKET.
650 0 $aImpressionism (Art)$zCalifornia$vExhibitions.
650 0 $aPainting, American$zCalifornia$y19th century$vExhibitions.
650 0 $aPainting, American$zCalifornia$y20th century$vExhibitions.
700 1 $aSouth, Will.$0http://id.loc.gov/authorities/names/nr88006860
710 2 $aLaguna Art Museum (Laguna Beach, Calif.)$0http://id.loc.gov/authorities/names/n85300163
852 80 $bfax$hND236 C12$iSo47