| Record ID | marc_columbia/Columbia-extract-20221130-007.mrc:373002242:3759 |
| Source | marc_columbia |
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LEADER: 03759mam a2200481 a 4500
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050 00 $aPR2820$b.S55 2002
082 00 $a822.3/3$221
100 1 $aSiemon, James R.$0http://id.loc.gov/authorities/names/n83187534
245 10 $aWord against word :$bShakespearean utterance /$cJames R. Siemon.
260 $aAmherst :$bUniversity of Massachusetts Press,$c[2002], ©2002.
300 $axiii, 335 pages ;$c24 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
490 1 $aMassachusetts studies in early modern culture
504 $aIncludes bibliographical references and index.
505 00 $tIntroduction: Listening Around/Talking Back: Shakespeare and Bakhtin --$g1.$tWhen Shakespeare Became Shakespeare --$g2.$t"Word Itself against the Word": Close Reading after Volosinov --$g3.$tLandlord, Not King: Agrarian Change and Interarticulation --$g4.$t"Subjected Thus": Utterance, Individuation, and Interlocution --$g5.$tThe Lamentable Tale of Me: Intonation, Politics, and Religion in Richard II --$g6.$t"The Shadow of Your ... Face": Reduced Laughter and Exit Wounds.
520 1 $a"Word against Word offers a new approach to Shakespearean drama - in particular Shakespeare's Richard II - through an extended engagement with the Bakhtinian concept of art as a form of social utterance. The book is the first to explore this central Bakhtinian conception and its associated notions of social accent, dialogism, and heteroglossia in the context of drama and of Shakespeare studies.".
520 8 $a"James R. Siemon begins by examining the variety of accents, discourses, and behaviors that competed for the social space of early modern England. He surveys Shakespeare and his contemporaries, including dramatists, poets, and other writers, in order to document early modern attitudes toward the implications of sociolinguistic behavior in a heteroglot environment.
520 8 $aWhile ranging broadly, the book takes Richard II as an exemplary instance of Bakhtinian utterance, showing the play to be, despite its apparent thematic and formal unities, an arena marked by struggles among competing groups and orientations, with their socially defined languages and assumptions. The figure of Shakespeare's King Richard emerges as a revealing example of a form of subjectivity constructed amid the demands of conflicting voices."--BOOK JACKET.
600 10 $aShakespeare, William,$d1564-1616.$tKing Richard II.$0http://id.loc.gov/authorities/names/n84087820
600 10 $aBakhtin, M. M.$q(Mikhail Mikhaĭlovich),$d1895-1975.$0http://id.loc.gov/authorities/names/n80053231
650 0 $aCriticism.$0http://id.loc.gov/authorities/subjects/sh85034149
600 00 $aRichard$bII,$cKing of England,$d1367-1400$xIn literature.
600 10 $aShakespeare, William,$d1564-1616$xPolitical and social views.$0http://id.loc.gov/authorities/subjects/sh85121022
650 0 $aKings and rulers in literature.$0http://id.loc.gov/authorities/subjects/sh85072439
600 14 $aShakespeare, William,$d1564-1616.$tRichard II.
600 14 $aBakhtin, M.$q(Mikhail),$d1895-1975$xContributions in criticism.
600 04 $aRichard$bII,$cKing of England$xIn literature.
600 14 $aShakespeare, William,$d1564-1616$xPolitical and social views.
830 0 $aMassachusetts studies in early modern culture.$0http://id.loc.gov/authorities/names/n92044567
852 00 $bglx$hPR2820$i.S55 2002