Record ID | marc_columbia/Columbia-extract-20221130-007.mrc:377171052:1976 |
Source | marc_columbia |
Download Link | /show-records/marc_columbia/Columbia-extract-20221130-007.mrc:377171052:1976?format=raw |
LEADER: 01976mam a22003014a 4500
001 3370272
005 20221020054613.0
008 021114s2002 nyua 000 0 eng c
020 $a0810935376
035 $a(OCoLC)ocm51005107
035 $9AVD5282CU
035 $a3370272
040 $aB@L$cB@L$dNDD$dOrLoB-B
042 $apcc
082 04 $a709/.2$221
100 1 $aBeneš, Barton Lidicé.$0http://id.loc.gov/authorities/names/n84160049
245 10 $aCuriosa :$bcelebrity relics, historical fossils, & other metamorphic rubbish /$cBarton Lidice Beneš ; introduction by John Berendt.
246 3 $aCuriosa : celebrity relics, historical fossils, and other metamorphic rubbish
260 $aNew York :$bHarry N. Abrams,$c2002.
300 $a131 pages :$bcolor illustrations ;$c24 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
520 1 $a"Barton Benes imbues mundane objects with the mystical power of holy relics. He assembles modern-day curiosity cabinets, or reliquaries, out of everyday objects that have been touched by fame. From such celebrity-owned articles as Madonna's panties, Bill Clinton's throat lozenge, O. J. Simpson's glove, Larry Hagman's gallstone, and glass from the car crash in which Princess Diana died, Benes creates an art that is as arresting as it is unique.
520 8 $aWhether his creativity is fueled by discards with the pedigree of fame or infamy, such as a Frank Sinatra fingernail clipping or the Son of Sam's hair, or by unusual and strange objects from human and natural history, such as mummy dust, Benes mounts and labels the items and assembles them into mini-museums that are alternately provocative, disturbing, and amusing, but always compelling."--BOOK JACKET.
600 10 $aBeneš, Barton Lidicé$vCatalogs.
650 0 $aArt, American$y20th century$vCatalogs.$0http://id.loc.gov/authorities/subjects/sh2007101378
650 0 $aFound objects (Art)$vCatalogs.
852 80 $bfax$hNB239 B42$iB43