| Record ID | marc_columbia/Columbia-extract-20221130-007.mrc:382263141:1686 |
| Source | marc_columbia |
| Download Link | /show-records/marc_columbia/Columbia-extract-20221130-007.mrc:382263141:1686?format=raw |
LEADER: 01686fam a22003614a 4500
001 3373944
005 20221020055444.0
008 020509r20021982nyu 000 0 eng
010 $a 2002071143
020 $a1400031605
035 $a(OCoLC)49821542
035 $a(OCoLC)ocm49821542
035 $9AVE0092CU
035 $a(NNC)3373944
035 $a3373944
040 $aDLC$cDLC$dNNC$dOrLoB-B
050 00 $aPR6056.R3$bN6 2002
082 00 $a822/.914$221
100 1 $aFrayn, Michael.$0http://id.loc.gov/authorities/names/n50025482
245 10 $aNoises off :$ba play in three acts /$cby Michael Frayn.
260 $aNew York :$bAnchor Books,$c2002.
263 $a0209
300 $a176 pages ;$c21 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
520 1 $a"Noises Off, the classic farce by the Tony Award-winning author of Copenhagen, is not one play but two: simultaneously a traditional sex farce, Nothing On, and the back-stage "drama" that develops during Nothing On's final rehearsal and tour. The two begin to interlock as the characters make their exits from Nothing On only to find themselves making entrances into the even worse nightmare that's happening backstage.
520 8 $aIn the end, at the disastrous final performance, the two plots can be kept separate no longer, and coalesce into a single collective nervous breakdown."--BOOK JACKET.
650 0 $aTheater$xProduction and direction$vDrama.
650 0 $aTheatrical companies$vDrama.
650 0 $aActors$vDrama.$0http://id.loc.gov/authorities/subjects/sh2007100545
655 7 $aComedies.$2gsafd
852 00 $bbar$hPR6056.R3$iN6 2002
852 00 $bmil$hPR6056.R3$iN6 2002