| Record ID | marc_columbia/Columbia-extract-20221130-007.mrc:383969472:2736 |
| Source | marc_columbia |
| Download Link | /show-records/marc_columbia/Columbia-extract-20221130-007.mrc:383969472:2736?format=raw |
LEADER: 02736mam a22003494a 4500
001 3375205
005 20221020055627.0
008 020502s2002 cauac 000 0 eng
010 $a 2002006943
020 $a0941188450
035 $a(OCoLC)ocm49743472
035 $9AVE1653CU
035 $a3375205
040 $aDLC$cDLC$dNNC$dOrLoB-B
042 $apcc
050 00 $aPN1995.9.P7$bP38 2002
082 00 $a791.43/023$221
100 1 $aPatz, Deborah S.,$d1963-$0http://id.loc.gov/authorities/names/n96096821
245 10 $aProduction management 101 :$bthe ultimate guide for film and television production management and coordination /$cby Deborah S. Patz.
246 30 $aFilm production management 101
260 $aStudio City, CA :$bM. Wiese Productions,$c2002.
263 $a0209
300 $axviii, 460 pages :$billustrations, portrait ;$c26 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
500 $aRev. ed. of: Surviving production, c1997.
505 00 $gI.$tProject Development.$gCh. 1.$tGetting Hired.$gCh. 2.$tBefore Official Prep.$gCh. 3.$tBudgeting & Breakdowns.$gCh. 4.$tYour Kit & The Web --$gII.$tPreproduction.$gCh. 5.$tSetting Up the Production Office.$gCh. 6.$tHiring Crew.$gCh. 7.$tCrew Departments.$gCh. 8.$tWorkspace Organization.$gCh. 9.$tTelephone Etiquette.$gCh. 10.$tSetting Up a Filing System.$gCh. 11.$tForms, Memos, Logs, Checklists.$gCh. 12.$tCountdown to Production --$gIII.$tProduction.$gCh. 13.$tThe Shoot Day & Call Sheets.$gCh. 14.$tDaily Production Reports.$gCh. 15.$tCountdown Through Production --$gIV.$tMore Money & Management Issues.$gCh. 16.$tLocation Management.$gCh. 17.$tProduction Insurance.$gCh. 18.$tCompletion Bonds.$gCh. 19.$tPetty Cash & Purchase Orders.$gCh. 20.$tCash Flows.$gCh. 21.$tInterim Financing.$gCh. 22.$tOfficial & PM-Only Cost Reports --$gV.$tMore Contracting Issues.$gCh. 23.$tDeal Memos & Long Forms.$gCh. 24.$tCast Contracts & Immigration.$gCh. 25.$tSupplier Agreements.$gCh. 26.$tThe Special Departments --
505 80 $gVI.$tMore Production & Coordination Issues.$gCh. 27.$tScript Format & Revisions.$gCh. 28.$tProduction Scheduling.$gCh. 29.$tCredits.$gCh. 30.$tPaperwork Distribution --$gVII.$tOngoing Special Issues.$gCh. 31.$tCourier & Customs.$gCh. 32.$tLegal Clearances --$gVIII.$tPostproduction.$gCh. 33.$tWrap & Wrap Party.$gCh. 34.$tPostproduction.$gCh. 35.$tAudit --$gIX.$tAppendix --$tAbout Deborah S. Patz.
650 0 $aMotion pictures$xProduction and direction.$0http://id.loc.gov/authorities/subjects/sh85088104
650 0 $aTelevision$xProduction and direction.$0http://id.loc.gov/authorities/subjects/sh85133468
700 1 $aPatz, Deborah S.,$d1963-$tSurviving production.
852 00 $bglx$hPN1995.9.P7$iP38 2002