| Record ID | marc_columbia/Columbia-extract-20221130-007.mrc:421089663:1168 |
| Source | marc_columbia |
| Download Link | /show-records/marc_columbia/Columbia-extract-20221130-007.mrc:421089663:1168?format=raw |
LEADER: 01168mam a2200289u 4500
001 3408671
005 20221020065938.0
008 930625s1964 pk ab b 000 0 benr
010 $asa 66000787
035 $a(OCoLC)ocm28592350
035 $9AVK8057CU
035 $a3408671
040 $aDLC$cCOO$dZCU
043 $aa-pk---
050 00 $aML345.P28$bS3
100 1 $aSaqlayen, Golam.$0http://id.loc.gov/authorities/names/n81144188
245 10 $aBāṃlāẏa marsīẏā sāhitya :$bUdbhaba o kramabikāśa, madhyayuga haite ādhunika yuga paryanta [1. Saṃskaraṇa] /$c[lekhaka] Golāma Saklāẏena.
260 $aRājaśāhī :$bBāṃlā Bibhāga; Rājaśāhī Biśvabidyālaẏa,$c[1964]
300 $a13, 482, 117 pages :$billustrations map ;$c22 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
546 $aIn Bengali.
502 $a"Thesis approved by the University of Dacca for the degree of doctor of philosophy."
500 $aBibliography: p. [91]-107 (last group)
650 0 $aFuneral music$xHistory and criticism.
650 0 $aMusic$zPakistan$xHistory and criticism.
852 80 $boff,glx$hEPB$i967