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LEADER: 05212cam a22006974i 4500
001 3436387
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035 $a(OCoLC)ocm50868268
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043 $an-us---
050 00 $aN6537.V56$bA4 2003
082 00 $a700.92$222
084 $a21.99$2bcl
049 $aZCUA
100 1 $aViola, Bill,$d1951-$eartist.
245 10 $aBill Viola :$bthe passions /$cJohn Walsh, editor ; with essays by Peter Sellars [and] John Walsh ; a conversation between Hans Belting and Bill Viola ; visual documentation by Kira Perov.
264 1 $aLos Angeles :$bJ. Paul Getty Museum in association with the National Gallery, London,$c[2003]
264 4 $c©2003
300 $a307 pages :$billustrations (some color) ;$c27 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
500 $a"This publication is issued in conjunction with the exhibition Bill Viola: The Passions, held at the J. Paul Getty Museum, January 24 through April 27, 2003 ; the National Gallery, London, October 22, 2003 through January 4, 2004 ; and the Pinakotheks of the Bayerische Staatsgemäldesammlungen, Munich, spring, 2004"--Last printed page.
504 $aIncludes bibliographical references (pages 293-295) and index.
505 00 $tForeword /$rDeborah Gribbon [and others] --$tEmotions in extreme time: Bill Viola's passions project /$rJohn Walsh --$tPassions and angels 2000-2002 /$rKira Perov,$rBill Viola --$tBodies of light /$rPeter Sellars --$tConversation /$rHans Belting,$rBill Viola --$tSources /$rBill Viola --$tArtists in his studio /$rJohn Walsh --$tCatalogue.
520 1 $a"In his opening essay, John Walsh traces Viola's development as a video artist and the intellectual and spiritual concerns that have preoccupied him over the years. And in "The Artist in His Studio," Walsh offers a rare first-person account of the making of Emergence, a new work commissioned by the Getty for the exhibition. A transcription of a recent conversation between Bill Viola and Hans Belting reveals the roots of Viola's involvement with image making and the role that older works of art have played in his development. Peter Sellars explores the spiritual foundations and meaning of Viola's work in a remarkable essay that is as much meditation as study, while Viola himself selects some fifteen works of art, which, along with pages from his personal notebooks, represent the sources that have inspired the Passions series. Finally, Kira Perov has selected and organized frame sequences from each of the twenty Passions pieces, accompanied by the artist's descriptions. Altogether, Bill Viola: The Passions is a thorough and richly illustrated study of a new and compelling group of works by this seminal contemporary artist."--Dust jacket.
500 $aBook designed by Stuart Smith; jacket designed by Stuart Smith and Lorraine Wild--AIGA Design Archives.
600 10 $aViola, Bill,$d1951-$vExhibitions.
600 10 $aViola, Bill,$d1951-$vInterviews.
650 0 $aVideo art$zUnited States$vExhibitions.
650 0 $aEmotions in art$vExhibitions.
650 0 $aArtists$zUnited States$vInterviews.
600 17 $aViola, Bill,$d1951-$2fast$0(OCoLC)fst00152193
650 7 $aArtists.$2fast$0(OCoLC)fst00817559
650 7 $aEmotions in art.$2fast$0(OCoLC)fst00908862
650 7 $aVideo art.$2fast$0(OCoLC)fst01166389
651 7 $aUnited States.$2fast$0(OCoLC)fst01204155
655 7 $aExhibition catalogs.$2fast$0(OCoLC)fst01424028
655 7 $aInterviews.$2fast$0(OCoLC)fst01423832
655 7 $aInterviews.$2lcgft
655 7 $aExhibition catalogs.$2lcgft
700 1 $aSellars, Peter,$ewriter of supplementary textual content.
700 1 $aWalsh, John,$d1937-$eeditor,$ewriter of supplementary textual content.
700 1 $aBelting, Hans,$ewriter of supplementary textual content.
700 1 $aSmith, Stuart$c(Editor),$ebook designer,$ebookjacket designer.
700 1 $aWild, Lorraine,$ebookjacket designer.
710 2 $aJ. Paul Getty Museum,$ehost institution.
776 08 $iOnline version:$aViola, Bill, 1951-$tBill Viola.$dLos Angeles : J. Paul Getty Museum in association with the National Gallery, London, ©2003$w(OCoLC)606927720
852 80 $bfax$hNH1215 V81$iV8138
852 00 $bbar$hN6537.V56$iA4 2003
852 80 $brbx$kAIGA$h2003$i88