MARC Record from marc_columbia

LEADER: 02886mam a22004094a 4500
001 3004392
005 20221019185948.0
008 991123s2000 maua b 001 0 eng
010 $a 99059406
020 $a0262024543 (alk. paper)
020 $a0262523477 (pbk.)
035 $a(OCoLC)ocm42934480
035 $a(NNC)3004392
035 $a3004392
040 $aDLC$cDLC$dC#P$dZGM$dOrLoB-B$dNNC
043 $ae------$an-us---
050 00 $aN6758$b.B83 2000
082 00 $a709/.04/5$221
100 1 $aBuchloh, B. H. D.$0http://id.loc.gov/authorities/names/n81015580
245 10 $aNeo-avantgarde and culture industry :$bessays on European and American art from 1955 to 1975 /$cBenjamin H.D. Buchloh.
260 $aCambridge, Mass. :$bMIT Press,$c2000.
300 $axxxiii, 592 pages :$billustrations ;$c24 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
500 $a"An October book."
504 $aIncludes bibliographical references and index.
505 00 $tMichael Asher and the Conclusion of Modernist Sculpture (1980) --$tBeuys: The Twilight of the Idol, Preliminary Notes for a Critique (1980) --$tMarcel Broodthaers: Open Letters, Industrial Poems (1987) --$tThe Museum and the Monument: Daniel Buren's Les couleurs/Les formes (1981) --$tMemory Lessons and History Tableaux: James Coleman's Archaeology of Spectacle (1995) --$tMoments of History in the Work of Dan Graham (1978) --$tHans Haacke: Memory and Instrumental Reason (1988) --$tHantai/Villegle and the Dialectics of Painting's Dispersal (1999) --$tPlenty or Nothing: From Yves Klein's Le vide to Arman's Le plein (1998) --$tKnight's Moves: Situating the Art/Object (1986) --$tStructure, Sign, and Reference in the Work of David Lamelas (1997) --$tParody and Appropriation in Francis Picabia, Pop, and Sigmar Polke (1982) --$tReadymade, Photography, and Painting in the Painting of Gerhard Richter (1977) --$tProcess Sculpture and Film in Richard Serra's Work (1978) --$tSpero's Other Traditions (1996) --
505 80 $tVillegle: From Fragment to Detail (1991) --$tAndy Warhol's One-Dimensional Art, 1956-1966 (1989) --$tRobert Watts: Animate Objects, Inanimate Subjects (2000) --$tThe Posters of Lawrence Weiner (1986).
650 0 $aAvant-garde (Aesthetics)$zEurope$xHistory$y20th century.
650 0 $aArt, European.$0http://id.loc.gov/authorities/subjects/sh85007650
650 0 $aArt, European$y20th century.$0http://id.loc.gov/authorities/subjects/sh89001863
650 0 $aAvant-garde (Aesthetics)$zUnited States$xHistory$y20th century.$0http://id.loc.gov/authorities/subjects/sh2009114779
650 0 $aArt, American.$0http://id.loc.gov/authorities/subjects/sh85007537
650 0 $aArt, American$y20th century.$0http://id.loc.gov/authorities/subjects/sh85007815
852 80 $bfax$hN6490$iB855
852 00 $bbar$hN6758$i.B83 2000
852 00 $bbar$hN6758$i.B83 2000