MARC Record from marc_columbia

LEADER: 03123cam a22005294a 4500
001 3004462
005 20220427160603.0
008 000522s2001 maua b 001 0 eng
010 $a 00042355
035 $a(OCoLC)ocm44162592
040 $aDLC$beng$cDLC$dUKM$dBAKER$dNLGGC$dBTCTA$dLVB$dYDXCP$dAU@$dEXW$dUAB$dBDX$dOCLCF$dIG#$dARTIB$dIUL$dDEBBG$dGCB$dTULIB$dFNE$dZ0P$dOCLCQ$dDHA$dDCT
015 $aGBA124319$2bnb
015 $aGBA2Y2692$2bnb
016 7 $a0262523248$2Uk
019 $a49299680$a220937403$a828267426$a951413324$a1008050045$a1022662404
020 $a0262024861$q(hc.)
020 $a9780262024860$q(hc.)
020 $a0262523248
020 $a9780262523240
035 $a(OCoLC)44162592$z(OCoLC)49299680$z(OCoLC)220937403$z(OCoLC)828267426$z(OCoLC)951413324$z(OCoLC)1008050045$z(OCoLC)1022662404
042 $apcc
050 00 $aTR185$b.B32 2001
080 $a770
082 00 $a770$221
084 $a21.42$2bcl
084 $aAP 94200$2rvk
084 $a770.9
049 $aZCUA
100 1 $aBatchen, Geoffrey.
245 10 $aEach wild idea :$bwriting, photography, history /$cGeoffrey Batchen.
260 $aCambridge, Mass. :$bMIT Press,$c©2001.
300 $axi, 236 pages :$billustrations ;$c24 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references and index.
505 00 $tDesiring Production --$tAustralian Made --$tVernacular Photographies --$tTaking and Making --$tPost-Photography --$tEctoplasm --$tPhotogenics --$tObedient Numbers, Soft Delight --$tDa[r]ta.
520 1 $a"In Each Wild Idea, Geoffrey Batchen explores widely ranging aspects of photography, from the timing of photography's invention to the various implications of cyberculture. Along the way, he reflects on contemporary art photography, the role of the vernacular in photography's history, and the Australianness of Australian photography." "The essays all focus on a consideration of specific photographs - from a humble combination of baby photos and bronzed booties to a masterwork by Alfred Stieglitz. Although Batchen views each photograph within the context of broader social and political forces, he also engages in its own distinctive formal attributes. In short, he sees photography as something that is simultaneously material and cultural. In an effort to evoke the lived experience of history, he frequently relies on sheer description as the mode of analysis, insisting that we look right at - rather than beyond - the photograph being discussed. A constant theme throughout the book is the question of photography's past, present, and future identity."--Jacket.
500 $aRare Book copy: In orignal dust jacket.$5NNC
650 0 $aPhotography.
650 0 $aPhotography$xPhilosophy.
650 7 $aPhotography.$2fast$0(OCoLC)fst01061714
650 7 $aPhotography$xPhilosophy.$2fast$0(OCoLC)fst01061781
700 1 $aKometani, Ori,$ebook designer,$ebookjacket designer.
852 80 $bfax$hNH70$iB31
852 00 $bbar$hTR185$i.B32 2001
852 80 $brbx$kAIGA$h2001$i6